The charm of the forger

Despite the confusing yet attractive name of “false documentary” to describe the cinematographic modality with which Orson Welles’s F for Fake (1974) inaugurated an era, his unstoppable recurrence to such distinctive and diverse concepts such as false, falsification, fraud, magic and even truth and...

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Bibliographic Details
Main Author: Koldobsky, Daniela
Format: Online
Language:spa
Published: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2016
Subjects:
Online Access:https://revistas.unc.edu.ar/index.php/eticaycine/article/view/14858