CINEMATIC SABOTAGES: HITCHCOCK, TARANTINO, AND ALMODÓVAR

This essay considers the theme of sabotage in Hitchcock, especially in his British film Sabotage, in terms of Manuel Asensi’s syllogistic theory. It also analyzes similar subversive themes in two contemporary movies, Quentin Tarantino’s Inglourious Basterds and Pedro Almodóvar’s Volver. The literal...

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Bibliographic Details
Main Author: Stallings, Gregory Charles
Format: Online
Language:spa
Published: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2015
Subjects:
Online Access:https://revistas.unc.edu.ar/index.php/astrolabio/article/view/12476