Psychoanalytic notes on memory in first-person documentary cinema

This paper seeks to make some remarks on the theoretical impressions that psychoanalysis has developed on memory, insofar as it has an affinity with the unconscious. This with the purpose of expanding the referential framework in which first-person documentary filmmakers work, since a large number o...

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Bibliographic Details
Main Authors: Hernández Arreygue, Juan Carlos, Jacobo Jacobo, Martín
Format: Online
Language:spa
Published: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2024
Subjects:
Online Access:https://revistas.unc.edu.ar/index.php/eticaycine/article/view/44633