La fragmentariedad como indicio arqueológico y artístico by Lucero, María Elena

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Working the arts in prisons. Reflection on artistic educational practices in the framework of outreach by Gervasoni, Marianela

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She’s gotta habit by Benchimol, Lucía

“…Nola Darling returns; black woman, activist and artist who lives in Booklyn, and finds herself permanently searching her own identity. …”
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“My blood and my family”: the subjective construction of a rapper and the individuality in the popular clases of contemporary Buenos Aires by Muñoz Tapia, Sebastián Matías

“…This article aims to analyze the subjective construction of a Buenos Aires rapper, in his artistic work and his daily life. It is claimed that the way he elaborates his public character is related to the native categories of “jugársela” (“take a risk”) and “estar jugado” (“in a bind”), which are connected with the broader currents of individualization associated with the use of social networks, the spirituality of the New Age, psychologization, and the rapper device itself. …”
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El bestiario femenino de Gabriela Rivera: monstruas, desechos y restos by Torrano, Andrea

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CRITICISM AS SABOTAGE AND THE STRATEGIES OF DECONSTRUCTION by Arranz Muñoz, Juan

“…In his latest book, Crítica y Sabotaje, Manuel Asensi presents a new method of criticism of the artistic discourse — «criticism as sabotage». Helped by a distrustful stance towards the work of art, and by the use of his own terminology, this criticism aims either to uncover (and to sabotage) the way in which the discourses try to impose a certain image of the world to the receiver (thus obtaining from him a certain behavior), or to explain the way in which some particular discourses present themselves as ambiguous and controversial (sabotaging its own affirmative nature, as well as the social system to which they belong).            …”
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Figuración posthumanimal. Una mirada sobre la obra visual y performática de El Pelele by Torrano, Andrea

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Of television series, intensities and postmodern fears by Gómez Ponce, Ariel

“…Attentive to the way that the affects colonize the cultural forms, the narrative theory developed by Fredric Jameson contains keys of interest to question how fear, in recent times, emerges as an intensity: a subjective commotion that transcends the possibility of being communicated, but which leaves traces in the artistic materialities. …”
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WHEN RED BECAME GREY: CUBAN REVOLUTION, INTELLECTUALS AND LITERATURE by Maccioni, Laura

“…These conditions were basically the result of the normative frameworks dictated by the cultural institutions (the Union of Cuban Writers and Artists, the declarations emanating from the Congresses of 1968 and 1971) as well as from the practices of the state officials of these institutions (for example, of their way of understanding which works deserved to be awarded prizes or expelled from the literate city). …”
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I look for native images that respond to invasive images. Interview with César González by Blázquez, Nahuel, Villarreal, Agustín

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La producción pictórica colonial en Córdoba, Argentina : Siglos XVI-XVII : apuntes para el estudio by Tamagnini, María Lucía

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Is it possible an ethical decision in the concentration camp? About Sophie’s choice by Oviedo Correa, Yairsiño

“…The unsettling figure of concentration camps has motivated the intellect and the imagination of academics and artists of all kinds, who have tried to understand the structure of those settings, and the human dynamics they foster.Philosopher Giorgio Agamben has sought this understanding based on his theorization of the state of exception, which allows the sovereign (the State) to suspend the rule of law, so as to facilitatean extrajudicial way of acting,this being nonetheless validated by the power the State is entitled to exert. …”
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Re-inhabiting the territory with children by Marina, Yazyi

“…These open-air meetings, in the neighborhood square adjacent to the health center, meant to enable the protagonist place of the children, recovering the socio-educational proposals (aesthetic, artistic, literary and playful) that were proposed and sustained uninterruptedly throughout the pandemic, as a way of "being present and being there" beyond the isolation/distance that the context warranted.…”
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San Miguel de Ibarra, ancient Caranqui (Ecuador), appropriation of the sacred center and destruction of the symbolic path by Lozano Castro, Alfredo

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CINEMATIC SABOTAGES: HITCHCOCK, TARANTINO, AND ALMODÓVAR by Stallings, Gregory Charles

“…Some texts such as the films studied in this article explicitly sabotage the models of the world that historically have served to repress us, in such a way that criticism as sabotage joins with the Walter Benjamin’s vision of a new art that would be capable of exploding the aura (the cult values inseparable from fascism) associated with classic art. …”
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Music and dance as particiapative spaces among young children of migrant Bolivians and Paraguayans in Buenos Aires (Argentina) by Gavazzo, Natalia

“…The present analysis will take up some aspects of those ways of participation among second-generation Bolivians and Paraguayans in Buenos Aires, starting from the study of their artistic and cultural practices linked to their parents’ origin, specially music and dance. …”
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The narratives of mothers and dancers in the professional tango dance circuit in Buenos Aires by Verdenelli, Juliana

“…Based on the information collected during an ethnographic fieldwork made between 2013 and 2020 – in which professional dancers who are also mothers were followed–, one concludes that the narratives associated with the figures of the mother and the tango’s milonguita keep on operating in the subjectivities of many artists and generating tensions in different ways – and in diverse grades – in their daily practices. …”
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