People do not want to think, people want to be a fan by Nieto, Verónica

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WRITINGS OF THE SELF IN THE ARGENTINE LITERARY FIELD. INTIMACY, EXTIMACY AND NARRATIVE TRIALS IN WRITERS’ BLOGS by Vigna, Diego Germán

“…The goal that we propose from the development and use of the blog by Argentine writers is trying to understand how the format has been inserted in the literary field. …”
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The Surviving Love of Marguerite Duras by Suárez, Claudia

“…He, therefore, chooses Marguerite Duras, screenplay writer and filmmaker. The result is the famous film Hiroshima mon amour (1959), which constitutes her debut. …”
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The civil war of 1841 and the Acha tragedy by Queseda Medina, Ernesto Ángel

“…In this chapter we read the following concerning the writer of these pages, even though he is not mentioned by name: "One of our most erudite and prolific writers has published a study tending to demonstrate that it is unjust to attribute the execution of Acha to General Pacheco. …”
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The ambivalent search for the Lost Father by Brok, Albert

“…One caveat of course is that characters in a film are not always representative of he writer/director’s life; however, they inevitably are created out of the director/writers’s personal experience and illustrate his or her conflicts, interests and illusions, directly or obliquely. …”
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Praising the mother by Goya, Amanda

“…The present text is an analysis about the maternal position, from the film La tía Tula (Picazo, 1964), a film based on the novel by the Spanish writer Miguel de Unamuno. As the author puts it, woman and mother can coexist in different proportions in each woman or present themselves as excluding, both in the Freudian times and nowadays. …”
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Egoism and community: an ethical reading of the road by Pinto Bustamante, Boris Julián

“…The movie The Road, based on the novel by american writer Cormac McCarthy, proposes an ethical question in a post-apocalyptic scenario: what would be the moral canon that regulates human relations in the face of the collapse of capitalist culture? …”
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Introduction to the Study and Teaching of Sclessiatic Public Law by Garzón Maceda, Nicolás

“…"Let each one do his duty to the extent of his moral strength," said a profound writer. I will fulfill mine, trying to combat the erroneous idea and frivolous tendency, which from some time to this part, with deceitful appearances, and passing through narrow prism or petty aspirations, has become generalized, mainly among students, about the uselessness of the cultivation of this juridical branch: "Ecclesiastical Public Law", considering it, unthinkingly as irritating anachronism, revealing a disturbing tendency and an alarming current of foolish cerebral emancipation, by way of a murky renovating current of thought and misunderstood human knowledge, against the mental regime of that "alma mater", our University of San Carlos, of classical type, with its historical characteristics, and, which serves as a true stronghold until the present hour of its happy Centenary, despite improvised wise men and regenerators.…”
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"Diving without water", an extensionist experience in the women's prison by De Mauro, Sofía, Vázquez, Maricel

“…In a talk with Maricel, a participant in the workshop, we opened the dialogue of university extension in contexts of confinement and talked about this type of space-The workshop will focus on her role as a writer and editor of the various publications of the workshop and her personal motivations.…”
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Interview with Juan Pablo Meneses by Destefanis, Eugenia, Foco, Gigliola, Brodsky, Juan, Duarte, Juan Pablo, Castro, María Eugenia

“…Juan Pablo Meneses is a Chilean chronicler, writer and journalist who founded what is now known as "Portable Journalism. …”
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Notes on the film (Un)Appearing (United Kingdom, 2023), by Piotr Cieplak and Mariana Tello by Hunziker, Paula

“…(Des)Aparecer is a documentary film that follows two protagonists, Gabriel Orge, a photographer from Córdoba known for his large-scale public projections of photos of the disappeared, and Ana Illovich, a survivor of the clandestine detention center "La Perla" and a writer. I do not think I am wrong if I say that both have left their mark on the ways in which we look at and try to understand the remains, the marks, the grays and chiaroscuros that in the present allude to a collective and individual life affected by the dictatorship. …”
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THE RITUALS OF IDEOLOGY AND ITS UNVEILING IN THE RITUALES DEL CAOS OF CARLOS MONSIVAIS by Marmolejo Cruz, Luis Tomás

“…And if so, what kind of criticism do the Mexican writer’s texts establish? From the theoretical concepts of Manuel Asensi, Slavoj Zizek and Julio Ramos we approach his work as a re-politicization of literary discourse. …”
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I look for native images that respond to invasive images. Interview with César González by Blázquez, Nahuel, Villarreal, Agustín

“…César González is a writer, poet and filmmaker with several books and fictional works that place him at odds with what happens on a large scale in contemporary cinema. …”
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Feminisms with and beyond Marx: Readings about Reproductive labor in Marxian Works by Romano Roth, Carla

“…In the 1970s and 1980s, there were debates between Marxism and feminism through the readings of feminist socialist, radical, and Marxist intellectuals, intending to reflect on “the question of women” in the capitalist system. These writers thought about “work” in Marx's productions and constructed, first, the category of “domestic work” and, later, that of “reproductive work”. …”
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Political institutions after the European war by Rodriguez del Busto, A.

“…The epilogue is projected in different ways by the writers who are hastening to bring it to an end. In my opinion, it is not possible to predict either the epilogue or even the immediate consequences of these atrocious offensives: one can only study what refers to political institutions that must be replaced or modified, taking for granted that the causes of this horrible cataclysm of humanity, in which the majority of the best human beings have already succumbed, are to be attributed to the existing ones.…”
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Araripe Júnior and the Hyperesthesia of the Tropical Serial by Fernandez, Juan Manuel

“…In this article, through an arch-philological approach, we propose to accentuate the becoming of Araripe Júnior's critical association between hyperesthesia and the effects of reading serials from his first approaches to the reception of naturalism by young writers, at the moment in which periodical publications grow exponentially and a reading public is constituted. …”
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WHEN RED BECAME GREY: CUBAN REVOLUTION, INTELLECTUALS AND LITERATURE by Maccioni, Laura

“…These conditions were basically the result of the normative frameworks dictated by the cultural institutions (the Union of Cuban Writers and Artists, the declarations emanating from the Congresses of 1968 and 1971) as well as from the practices of the state officials of these institutions (for example, of their way of understanding which works deserved to be awarded prizes or expelled from the literate city). …”
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"Contra/Tapa": the production of a podcast cycle as a space for articulation between research, teaching and outreach by Scherman, Patricia Viviana, Sarnovich, Romina Laila, Giovine, María Eugenia

“…Effects on the Psychology career in Córdoba" (Secretariat of Science and Technology, UNC) and is carried out in co-production with Radio Zeppelin, of the Escuela Superior de Comercio Manuel Belgrano (ESCMB, UNC).Based on a snowball sampling, nine participants were selected: writers, librarians, booksellers, teachers and intellectuals recognized in the local environment. …”
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INTERCULTURAL POLICIES AND RHETORIC. MISIONES’ TERRITORIAL ARCHIVES AND LIBRARIES by Santander, Carmen, Guadalupe Melo, Carmen, Andruskevicz, Carla

“…Its contribution is the proposal of a theoretical and methodological approach to author files, as proposed redefinition of genetic criticism postulates from a semiotic and cultural position.In addition, our presentation will be organized from the postulation and definition of territorial authors as those writers whose productions have triggered some reflections about space and context in which literature is produced. …”
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