El Catálogo Colectivo reúne los registros del material que posee cada una de las
bibliotecas de la Universidad Nacional de Córdoba, pudiendo encontrarse colecciones
especializadas y actualizadas en todas las áreas del conocimiento; lo que permite una
amplia visibilidad y garantiza el acceso al patrimonio documental de la Universidad.
Se encuentra disponible para toda la comunidad académica: estudiantes, docentes,
egresados e investigadores.
Si formas parte de la comunidad de la UNC también podés solicitar préstamos de material,
a cualquier biblioteca universitaria, utilizando el servicio de préstamo interbibliotecario,
independientemente de la facultad a la que pertenezcas, la carrera que curses o la cátedra
que dictes.
Human Rights, Mothers of Plaza de Mayo and Mercedes Sosa: Historical Refractions in Biographical Documentaries
The objective of our reflection is to understand how two biographical documentaries about Mercedes Sosa refract the struggle of the Mothers of Plaza de Mayo, detecting which were the discursive strategies carried out by each documentary maker and what effects are produced by this approximation that...
The objective of our reflection is to understand how two biographical documentaries about Mercedes Sosa refract the struggle of the Mothers of Plaza de Mayo, detecting which were the discursive strategies carried out by each documentary maker and what effects are produced by this approximation that can be defined as having a “biographical value” (Bajtín, 1982). Methodologically, discourse analysis is used to observe the thematic construction throughout the two documentaries in light of the analytical perspectives derived from the study of texts (Bajtín, 1982). The conclusions will account for the existence of two different images of Mercedes Sosa in relation to the struggle for human rights in Argentina. These images come from the application of biographical values that differ from each other, confirming that, in one of the documentaries, the narrative construction presents Mercedes Sosa's struggle in the present, while the other story proposes a projection of the future, in a world after the dictatorship.
