The look and the ominous in 13 Reasons Why
The paper approaches the series 13 Reasons Why with the aim of situating the dimension of the ominous in the story. To do so, it introduces a brief overview of the status of the gaze in Jacques Lacan’s work and, following Gerard Wajcman’s approach to contemporary seriality, analyzes the place of the...
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Format: | Online |
Language: | spa |
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Centro de Investigaciones y Estudios sobre Cultura y Sociedad
2023
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Online Access: | https://revistas.unc.edu.ar/index.php/eticaycine/article/view/43860 |
_version_ | 1838390781885284352 |
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author | Duarte, Juan Pablo |
author_facet | Duarte, Juan Pablo |
author_sort | Duarte, Juan Pablo |
collection | Portal de Revistas |
description | The paper approaches the series 13 Reasons Why with the aim of situating the dimension of the ominous in the story. To do so, it introduces a brief overview of the status of the gaze in Jacques Lacan’s work and, following Gerard Wajcman’s approach to contemporary seriality, analyzes the place of the city and the gaze object in the story. |
format | Online |
id | oai:ojs.revistas.unc.edu.ar:article-43860 |
institution | Universidad Nacional de Cordoba |
language | spa |
publishDate | 2023 |
publisher | Centro de Investigaciones y Estudios sobre Cultura y Sociedad |
record_format | ojs |
spelling | oai:ojs.revistas.unc.edu.ar:article-438602023-12-21T22:01:18Z The look and the ominous in 13 Reasons Why La mirada y lo ominoso en 13 Reasons Why Duarte, Juan Pablo Gaze Object a Contemporary seriality City Mirada Objeto a Serialidad contemporánea Ciudad The paper approaches the series 13 Reasons Why with the aim of situating the dimension of the ominous in the story. To do so, it introduces a brief overview of the status of the gaze in Jacques Lacan’s work and, following Gerard Wajcman’s approach to contemporary seriality, analyzes the place of the city and the gaze object in the story. El trabajo aborda la serie 13 Reasons Why con el objetivo de situar la dimensión de lo ominoso en el relato. Para ello introduce un breve recorrido por el estatuto de la mirada en la obra de Jacques Lacan y, siguiendo la orientación de Gerard Wajcman para el abordaje de la serialidad contemporánea analiza el lugar de la ciudad y el objeto mirada en la historia. Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2023-12-21 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/eticaycine/article/view/43860 10.31056/2250.5415.v13.n3.43860 Ética y Cine Journal; Vol. 13 Núm. 3 (2023): Lo ominoso infantil; 15-18 2250-5415 2250-5660 10.31056/2250.5415.v13.n3 spa https://revistas.unc.edu.ar/index.php/eticaycine/article/view/43860/44049 Derechos de autor 2023 Ética y Cine Journal https://creativecommons.org/licenses/by-sa/4.0/ |
spellingShingle | Gaze Object a Contemporary seriality City Mirada Objeto a Serialidad contemporánea Ciudad Duarte, Juan Pablo The look and the ominous in 13 Reasons Why |
title | The look and the ominous in 13 Reasons Why |
title_alt | La mirada y lo ominoso en 13 Reasons Why |
title_full | The look and the ominous in 13 Reasons Why |
title_fullStr | The look and the ominous in 13 Reasons Why |
title_full_unstemmed | The look and the ominous in 13 Reasons Why |
title_short | The look and the ominous in 13 Reasons Why |
title_sort | look and the ominous in 13 reasons why |
topic | Gaze Object a Contemporary seriality City Mirada Objeto a Serialidad contemporánea Ciudad |
topic_facet | Gaze Object a Contemporary seriality City Mirada Objeto a Serialidad contemporánea Ciudad |
url | https://revistas.unc.edu.ar/index.php/eticaycine/article/view/43860 |
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