The look and the ominous in 13 Reasons Why

The paper approaches the series 13 Reasons Why with the aim of situating the dimension of the ominous in the story. To do so, it introduces a brief overview of the status of the gaze in Jacques Lacan’s work and, following Gerard Wajcman’s approach to contemporary seriality, analyzes the place of the...

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Main Author: Duarte, Juan Pablo
Format: Online
Language:spa
Published: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2023
Subjects:
Online Access:https://revistas.unc.edu.ar/index.php/eticaycine/article/view/43860
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author Duarte, Juan Pablo
author_facet Duarte, Juan Pablo
author_sort Duarte, Juan Pablo
collection Portal de Revistas
description The paper approaches the series 13 Reasons Why with the aim of situating the dimension of the ominous in the story. To do so, it introduces a brief overview of the status of the gaze in Jacques Lacan’s work and, following Gerard Wajcman’s approach to contemporary seriality, analyzes the place of the city and the gaze object in the story.
format Online
id oai:ojs.revistas.unc.edu.ar:article-43860
institution Universidad Nacional de Cordoba
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publishDate 2023
publisher Centro de Investigaciones y Estudios sobre Cultura y Sociedad
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spelling oai:ojs.revistas.unc.edu.ar:article-438602023-12-21T22:01:18Z The look and the ominous in 13 Reasons Why La mirada y lo ominoso en 13 Reasons Why Duarte, Juan Pablo Gaze Object a Contemporary seriality City Mirada Objeto a Serialidad contemporánea Ciudad The paper approaches the series 13 Reasons Why with the aim of situating the dimension of the ominous in the story. To do so, it introduces a brief overview of the status of the gaze in Jacques Lacan’s work and, following Gerard Wajcman’s approach to contemporary seriality, analyzes the place of the city and the gaze object in the story. El trabajo aborda la serie 13 Reasons Why con el objetivo de situar la dimensión de lo ominoso en el relato. Para ello introduce un breve recorrido por el estatuto de la mirada en la obra de Jacques Lacan y, siguiendo la orientación de Gerard Wajcman para el abordaje de la serialidad contemporánea analiza el lugar de la ciudad y el objeto mirada en la historia. Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2023-12-21 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/eticaycine/article/view/43860 10.31056/2250.5415.v13.n3.43860 Ética y Cine Journal; Vol. 13 Núm. 3 (2023): Lo ominoso infantil; 15-18 2250-5415 2250-5660 10.31056/2250.5415.v13.n3 spa https://revistas.unc.edu.ar/index.php/eticaycine/article/view/43860/44049 Derechos de autor 2023 Ética y Cine Journal https://creativecommons.org/licenses/by-sa/4.0/
spellingShingle Gaze
Object a
Contemporary seriality
City
Mirada
Objeto a
Serialidad contemporánea
Ciudad
Duarte, Juan Pablo
The look and the ominous in 13 Reasons Why
title The look and the ominous in 13 Reasons Why
title_alt La mirada y lo ominoso en 13 Reasons Why
title_full The look and the ominous in 13 Reasons Why
title_fullStr The look and the ominous in 13 Reasons Why
title_full_unstemmed The look and the ominous in 13 Reasons Why
title_short The look and the ominous in 13 Reasons Why
title_sort look and the ominous in 13 reasons why
topic Gaze
Object a
Contemporary seriality
City
Mirada
Objeto a
Serialidad contemporánea
Ciudad
topic_facet Gaze
Object a
Contemporary seriality
City
Mirada
Objeto a
Serialidad contemporánea
Ciudad
url https://revistas.unc.edu.ar/index.php/eticaycine/article/view/43860
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