Alice… in Wonderland or Underland?

The article takes Tim Burton’s film to work on the status of fictions in psychoanalysis, its value as an instrument to situate what is real at stake in a subject. In this case, the chosen fiction goes beyond the myth model, being able to account in its narrative model — strongly crossed by a dizzyin...

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Main Author: Molina, Eugenia
Format: Online
Language:spa
Published: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2023
Subjects:
Online Access:https://revistas.unc.edu.ar/index.php/eticaycine/article/view/43859
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author Molina, Eugenia
author_facet Molina, Eugenia
author_sort Molina, Eugenia
collection Portal de Revistas
description The article takes Tim Burton’s film to work on the status of fictions in psychoanalysis, its value as an instrument to situate what is real at stake in a subject. In this case, the chosen fiction goes beyond the myth model, being able to account in its narrative model — strongly crossed by a dizzying aesthetic — of a real symbolic and imaginary parity. It thus becomes a precious access route to work on the uncanny, especially in the analytical experience in childhood, but also being able to extend it to the experience of an analysis in general.
format Online
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institution Universidad Nacional de Cordoba
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spelling oai:ojs.revistas.unc.edu.ar:article-438592023-12-21T22:01:19Z Alice… in Wonderland or Underland? Alicia… ¿en Wonderland o en Underland? Molina, Eugenia Fiction Ominous Real Enjoyment Singularity Ficción Ominoso Real Goce Singularidad The article takes Tim Burton’s film to work on the status of fictions in psychoanalysis, its value as an instrument to situate what is real at stake in a subject. In this case, the chosen fiction goes beyond the myth model, being able to account in its narrative model — strongly crossed by a dizzying aesthetic — of a real symbolic and imaginary parity. It thus becomes a precious access route to work on the uncanny, especially in the analytical experience in childhood, but also being able to extend it to the experience of an analysis in general. El artículo toma la película de Tim Burton para trabajar el estatuto de las ficciones en psicoanálisis, su valor como instrumento para situar lo real en juego en un sujeto. En este caso, la ficción elegida, va más allá del modelo del mito, pudiendo dar cuenta en su modelo narrativo —atravesado fuertemente por una estética vertiginosa—, de una paridad real simbólico e imaginario. Se convierte así en una vía de acceso preciosa para trabajar lo ominoso, especialmente en la experiencia analítica en la infancia, pero también pudiendo extenderla a la experiencia de un análisis en general. Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2023-12-21 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/eticaycine/article/view/43859 10.31056/2250.5415.v13.n3.43859 Ética y Cine Journal; Vol. 13 Núm. 3 (2023): Lo ominoso infantil; 11-14 2250-5415 2250-5660 10.31056/2250.5415.v13.n3 spa https://revistas.unc.edu.ar/index.php/eticaycine/article/view/43859/44047 Derechos de autor 2023 Ética y Cine Journal https://creativecommons.org/licenses/by-sa/4.0/
spellingShingle Fiction
Ominous
Real
Enjoyment
Singularity
Ficción
Ominoso
Real
Goce
Singularidad
Molina, Eugenia
Alice… in Wonderland or Underland?
title Alice… in Wonderland or Underland?
title_alt Alicia… ¿en Wonderland o en Underland?
title_full Alice… in Wonderland or Underland?
title_fullStr Alice… in Wonderland or Underland?
title_full_unstemmed Alice… in Wonderland or Underland?
title_short Alice… in Wonderland or Underland?
title_sort alice in wonderland or underland
topic Fiction
Ominous
Real
Enjoyment
Singularity
Ficción
Ominoso
Real
Goce
Singularidad
topic_facet Fiction
Ominous
Real
Enjoyment
Singularity
Ficción
Ominoso
Real
Goce
Singularidad
url https://revistas.unc.edu.ar/index.php/eticaycine/article/view/43859
work_keys_str_mv AT molinaeugenia aliceinwonderlandorunderland
AT molinaeugenia aliciaenwonderlandoenunderland