Aporophobia, segregation and descent into hell

Rejection of the poor and segregation appear very clearly in Korean film Parasite. In this paper this film is analyzed, which represents a clear example of the social problems of the most disadvantaged classes, relating the narrative aspects to the legal ones, showing throughout the story the differ...

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Main Authors: Ramón Fernández, Francisca, Prósper Ribes, Josep
Format: Online
Language:spa
Published: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2021
Subjects:
Online Access:https://revistas.unc.edu.ar/index.php/eticaycine/article/view/32570
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author Ramón Fernández, Francisca
Prósper Ribes, Josep
author_facet Ramón Fernández, Francisca
Prósper Ribes, Josep
author_sort Ramón Fernández, Francisca
collection Portal de Revistas
description Rejection of the poor and segregation appear very clearly in Korean film Parasite. In this paper this film is analyzed, which represents a clear example of the social problems of the most disadvantaged classes, relating the narrative aspects to the legal ones, showing throughout the story the different social situation that the characters have depending on their work and of their wealth. The most disadvantaged social classes emit an odor that provokes the rejection of the well-off social classes. An odor that cannot be removed by cleaning, but is a symbol of the lower classes. The separation of social classes is manifested through architectural spaces, cinematographic plans and details, where the rich are always at the top, and the poor are at the bottom. Cinema becomes a spokesperson for social and legal aspects, as well as the lack of ethics and shows us a sick and degraded society, to its ultimate consequences
format Online
id oai:ojs.revistas.unc.edu.ar:article-32570
institution Universidad Nacional de Cordoba
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publisher Centro de Investigaciones y Estudios sobre Cultura y Sociedad
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spelling oai:ojs.revistas.unc.edu.ar:article-325702021-03-29T01:50:55Z Aporophobia, segregation and descent into hell Aporofobia, segregación y descenso a los infiernos Ramón Fernández, Francisca Prósper Ribes, Josep Parasite Aporophobia Segregation Human Rights Parásitos Aporofobia Segregación Derechos Humanos Rejection of the poor and segregation appear very clearly in Korean film Parasite. In this paper this film is analyzed, which represents a clear example of the social problems of the most disadvantaged classes, relating the narrative aspects to the legal ones, showing throughout the story the different social situation that the characters have depending on their work and of their wealth. The most disadvantaged social classes emit an odor that provokes the rejection of the well-off social classes. An odor that cannot be removed by cleaning, but is a symbol of the lower classes. The separation of social classes is manifested through architectural spaces, cinematographic plans and details, where the rich are always at the top, and the poor are at the bottom. Cinema becomes a spokesperson for social and legal aspects, as well as the lack of ethics and shows us a sick and degraded society, to its ultimate consequences El rechazo al pobre y la segregación aparecen de forma muy evidente en el film coreano Parásitos. En el presente trabajo se analiza esta película que representa un ejemplo de los problemas sociales de las clases más desfavorecidas, relacionando los aspectos narrativos con los jurídicos, mostrando a lo largo del relato la distinta situación social que tienen los personajes dependiendo de su trabajo y de su riqueza. Las clases sociales más desfavorecidas emanan un olor que no se puede eliminar con la limpieza y que provoca el rechazo de las clases sociales acomodadas. La separación de clases sociales se manifiesta a través de espacios arquitectónicos, planos cinematográficos y detalles, donde siempre el rico está en lo más alto, y el pobre, en lo más bajo. El cine se convierte en un portavoz de aspectos sociales y jurídicos y nos muestra una sociedad enferma y degradada, hasta sus últimas consecuencias. Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2021-03-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/eticaycine/article/view/32570 10.31056/2250.5415.v11.n1.32570 Ética y Cine Journal; Vol. 11 Núm. 1 (2021): Segregación; 31-39 2250-5415 2250-5660 10.31056/2250.5415.v11.n1 spa https://revistas.unc.edu.ar/index.php/eticaycine/article/view/32570/33285 https://creativecommons.org/licenses/by-sa/4.0/
spellingShingle Parasite
Aporophobia
Segregation
Human Rights
Parásitos
Aporofobia
Segregación
Derechos Humanos
Ramón Fernández, Francisca
Prósper Ribes, Josep
Aporophobia, segregation and descent into hell
title Aporophobia, segregation and descent into hell
title_alt Aporofobia, segregación y descenso a los infiernos
title_full Aporophobia, segregation and descent into hell
title_fullStr Aporophobia, segregation and descent into hell
title_full_unstemmed Aporophobia, segregation and descent into hell
title_short Aporophobia, segregation and descent into hell
title_sort aporophobia segregation and descent into hell
topic Parasite
Aporophobia
Segregation
Human Rights
Parásitos
Aporofobia
Segregación
Derechos Humanos
topic_facet Parasite
Aporophobia
Segregation
Human Rights
Parásitos
Aporofobia
Segregación
Derechos Humanos
url https://revistas.unc.edu.ar/index.php/eticaycine/article/view/32570
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