El Catálogo Colectivo reúne los registros del material que posee cada una de las
bibliotecas de la Universidad Nacional de Córdoba, pudiendo encontrarse colecciones
especializadas y actualizadas en todas las áreas del conocimiento; lo que permite una
amplia visibilidad y garantiza el acceso al patrimonio documental de la Universidad.
Se encuentra disponible para toda la comunidad académica: estudiantes, docentes,
egresados e investigadores.
Si formas parte de la comunidad de la UNC también podés solicitar préstamos de material,
a cualquier biblioteca universitaria, utilizando el servicio de préstamo interbibliotecario,
independientemente de la facultad a la que pertenezcas, la carrera que curses o la cátedra
que dictes.
Mourning the Self: Treatment of the Unrepresentable Dimension of the Reality of Death in Cinema
Our research called “Melancholy and Mourning” deals with issues related to the representation of self-mourning in the cinema. Indeed, films ofgreat aesthetics deal with the apocalypse and are at the origin of contemporary philosophical issues. What do these directors want to show when theylook at th...
Our research called “Melancholy and Mourning” deals with issues related to the representation of self-mourning in the cinema. Indeed, films ofgreat aesthetics deal with the apocalypse and are at the origin of contemporary philosophical issues. What do these directors want to show when theylook at the painful question of the end, of death, of the irreversibility of time? Why do they all counterbalance the points of horror contained in thisdeadly dead end with sublime images of beauty ? Does this mean that the death of one, of all, cannot be represented? Or rather, more profoundly,does this mean that the death announced cannot be apprehended? However, Lars Von Trier and Xavier Dolan unmask in a certain way this “real” ofthe announced death or the shortage of time, notably through Melancholia (2011) and Juste La Fin Du Monde (2016).
Similar Items
Sobre el fin by: Duarte, Juan Pablo, et al. Published: (2022)
