El Catálogo Colectivo reúne los registros del material que posee cada una de las
bibliotecas de la Universidad Nacional de Córdoba, pudiendo encontrarse colecciones
especializadas y actualizadas en todas las áreas del conocimiento; lo que permite una
amplia visibilidad y garantiza el acceso al patrimonio documental de la Universidad.
Se encuentra disponible para toda la comunidad académica: estudiantes, docentes,
egresados e investigadores.
Si formas parte de la comunidad de la UNC también podés solicitar préstamos de material,
a cualquier biblioteca universitaria, utilizando el servicio de préstamo interbibliotecario,
independientemente de la facultad a la que pertenezcas, la carrera que curses o la cátedra
que dictes.
The repression of the desire in Cuban cinema: the sexual antiheroes of Memories of Underdevelopment, Cecilia and Strawberry and Chocolate
This article explores the “playboy” as a sexual antihero in three of the most representative films of Cuban cinema, Memorias del subdesarrollo (1968), Cecilia (1981), and Fresa y Chocolate (1994). The visual censorship of these antiheroes reflects the moral architecture of a political system that, a...
This article explores the “playboy” as a sexual antihero in three of the most representative films of Cuban cinema, Memorias del subdesarrollo (1968), Cecilia (1981), and Fresa y Chocolate (1994). The visual censorship of these antiheroes reflects the moral architecture of a political system that, at least during the 1960s, tried to “dictate” the intimate life of its citizens. Through a detailed analysis of the three films, it seeks to demonstrate that this repression of desire transcends the condemnation of a visual patriarchy, joining Hollywood cinema in the sanction of sexual appetite. The repressions of film protagonists Sergio, Leonardo and Diego represent a conservative and bourgeois morality, despite some legitimate intentions such as the irony over the male desire of the camera or the integration of the homosexuality in revolutionary Cuba.
