Heinrich Wölfflin
Heinrich Wölfflin (; 21 June 1864 – 19 July 1945) was a Swiss art historian, esthetician and educator, whose objective classifying principles ("painterly" vs. "linear" and the like) were influential in the development of formal analysis in art history in the early 20th century. He taught at Basel, Berlin and Munich in the generation that saw German art history's rise to pre-eminence. His three most important books, still consulted, are ''Renaissance und Barock'' (1888), ''Die Klassische Kunst'' (1898, "Classic Art"), and ''Kunstgeschichtliche Grundbegriffe'' (1915, "Principles of Art History").Wölfflin taught at Berlin University from 1901 to 1912, at Munich University from 1912 to 1924, and at University of Zurich from 1924 until his retirement. Provided by Wikipedia
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Conceptos fundamentales de la historia del arte / by Wölfflin, Heinrich, 1864-1945
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Conceptos fundamentales en la historia del arte / by Wölfflin, Heinrich, 1864-1945
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L'arte classica del rinascimento / by Wölfflin, Heinrich, 1864-1945
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Principes fondamentaux de l'histoire de l'art : le problème de l'évolution du style dans l'art moderne / by Wölfflin, Heinrich, 1864-1945
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El arte clásico : iniciación al conocimiento del Renacimiento Italiano / by Wolfflin, Heinrich, 1864-1945
Published 1955Call Number: Loading…
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Conceptos fundamentales en la historia del arte / by Wölfflin, Heinrich, 1864-1945
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El arte clásico : una introducción al Renacimiento Italiano / by Wolfflin, Heinrich, 1864-1945
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Renacimiento y barroco / by Wolfflin, Heinrich, 1864-1945
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Conceptos fundamentales en la historia del arte / by Wölfflin, Heinrich 1864-1945
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Conceptos fundamentales de la historia del arte / by Wölfflin, Heinrich, 1864-1945
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Renacimiento y barroco / by Wölfflin, Heinrich, 1864-1945
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Related Subjects
Arte
HISTORIA DEL ARTE
Historia del arte
Arquitectura
Dibujo
Escultura
Historia
Pintura (Elaboración de imagen)
RENACIMIENTO
ARQUITECTURA
ARQUITECTURA BARROCA
ARQUITECTURA RELIGIOSA
ARQUITECTURA RENACENTISTA
ARTE BARROCO
ARTE RENACENTISTA
CRITICA DE ARTE
Clásico
ESCULTURA
ESTETICA
GRABADO
PINTURA
Renacimiento
TEORIA DEL ARTE
sIGLO XV-XVII