Showing 1 - 1 results of 1 for search 'Eksell, Olle'Skip to content
Universidad Nacional de Córdoba
U.N.C.
Catálogo colectivo
El Catálogo Colectivo reúne los registros del material que posee cada una de las
bibliotecas de la Universidad Nacional de Córdoba, pudiendo encontrarse colecciones
especializadas y actualizadas en todas las áreas del conocimiento; lo que permite una
amplia visibilidad y garantiza el acceso al patrimonio documental de la Universidad.
Se encuentra disponible para toda la comunidad académica: estudiantes, docentes,
egresados e investigadores.
Si formas parte de la comunidad de la UNC también podés solicitar préstamos de material,
a cualquier biblioteca universitaria, utilizando el servicio de préstamo interbibliotecario,
independientemente de la facultad a la que pertenezcas, la carrera que curses o la cátedra
que dictes.
Olle Eksell (born Carl OlofLennart in Ål, Sweden; March 22, 1918 – April 11, 2007) was a Swedish graphic designer and poster artist, and a professor until 2001. He was married to artist Ruthel Günzberger. He gave shape to the classic ''Mazetti eyes'', a motif he designed in the 1950s for Ögon Cacao, a Swedish chocolate brand. He was a member of the world jury of typography at the International Center for Graphic Arts in New York. He wrote the book ''Design = Economy'' where he advocated for integrating aesthetic principles with economic functionality.
Mazetti Malmö.jpg|Eksell's iconic ''Eyes'' on the old Mazetti chocolate factory in Malmö
Provided by Wikipedia
Showing 1 - 1 results of 1 for search 'Eksell, Olle', query time: 0.01s
Refine Results
Olle Eksell (born Carl Olof Lennart in Ål, Sweden; March 22, 1918 – April 11, 2007) was a Swedish graphic designer and poster artist, and a professor until 2001. He was married to artist Ruthel Günzberger. He gave shape to the classic ''Mazetti eyes'', a motif he designed in the 1950s for Ögon Cacao, a Swedish chocolate brand. He was a member of the world jury of typography at the International Center for Graphic Arts in New York. He wrote the book ''Design = Economy'' where he advocated for integrating aesthetic principles with economic functionality.