Imágenes, recursos visuales y soportes: un recorrido por las manifestaciones rupestres de la región de Fiambalá (Catamarca) by Basile, Mara

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Pre-ceramic rock art in Bolivia. A preliminary approach by Strecker, Matthias

“…Projects in five regions have come up with entirely different results of early rock art traditions: ancient cupules in Mizque (department of Cochabamba), abstract incisions near Lake Titicaca (department of La Paz), negative handprints (stencils) in caves of Mojocoya (department of Chuquisaca) and Paja Colorada (Vallegrande, department of Santa Cruz), as well as representation of wild camelids and hunters in rock paintings of Betanzos (department of Potosí). …”
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Rock art as a geosign of landscape (valley of Yocavil, Catamarca, Argentina) by Larrain, Alina Álvarez

“…On the one hand, the GCh is considered as an aesthetic representation related to the worldview of the people involved in its production. …”
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Arte rupestre de las sierras del Norte de Córdoba, Argentina by Urquiza, Silvana Valeria

“…We present the record and the further analysis of fi ve sites having rock art in the Sierra Norte of Córdoba, Argentina. To the moment 172 representations are indentifi ed, which are conformed by pictographs and petroglyphs, distributed in 12 support rocks. …”
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Evidence of religious practices and witchcraft in the rock art of the Tulum Valley (San Juan) by García, Alejando, Domeneghini, Gina, Varas, Fredi

“…In this article, twenty-six cave representations from five sites in San Juan closely linked to references of Christian iconography are identified and analyzed. …”
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Arte rupestre entre las sierras y Los Llanos riojanos: localidad arqueológica Palancho by Pía Falchi, María, Podestá, María Mercedes, Rolandi, Diana S., Re, Anahí, Torres, Marcelo A.

“…This paper presents the archaeological site with rock art Palancho (Depto. Chilecito, La Rioja). Given the extension of the site and the number of representations, the main purpose of this presentation is to do a fi rst preliminary description of the site and to propose a chronological sequence for rock art representations. …”
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Places out of place: footprints of travelers and outsiders in rock art of the Sierras de Córdoba (Argentina) by Tissera, Luis

“…  This work focuses on the analysis of some peculiar representations of the rock art of the Sierras de Córdoba, whose exceptionality suggests a deep knowledge of certain visual codes, objects and ecologies, on the partt of its executors. …”
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Arte rupestre, tiempo y espacio en La Damiana (Quebrada de Incahuasi, Salta, Argentina) by De Feo, M. Eugenia

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Studies on changes and continuities between the Pre-Hispanic period and the Colonial stage in the town of Cochinoca (Puna de Jujuy).To María Ester Albeck in memoriam by Basso, Diego Martín

“…Architecture, pottery and rock art representations are key elements in this work. …”
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The Category of Art in Ancient Egypt: a Reflection from the Ontological Turn: una reflexión desde el giro ontológico by Romero, Victoria Celeste

“…The artistic expressions of ancient Egypt were traditionally studied by Egyptology in light of the aesthetic conceptions of Western art. In this sense, the nineteenth-century trends were based on a value scale from an evolutionary notion -from which Egyptian representations are considered less developed than later times- to the affirmation of the non-existence of art in this historical context, due to the absence of a linguistic term proper to the hieroglyphic language for its designation. …”
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PRELIMINARY ANALYSIS OF CASA DE PIEDRA DE ROSELLO´S ROCK ART, SOUTHWESTERN CHUBUT PROVINCE, ARGENTINA. by Gutiérrez, Lucía, Castro Esnal, Analía

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ROCK ART FROM NORTHEAST NEUQUÉN PROVINCE (NORTHERN PATAGONIA, ARGENTINA). FIRST SPATIAL AND TEMPORAL TRENDS by Romero, Guadalupe, Re, Anahí

“…This article presents a first analysis of the rock art registered in the Pehuenches department, Neuquén province (northern Patagonia). …”
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Analysis of rock art superimpositions in Cerro de los Indios 1 (Lago Posadas, Santa Cruz) by Papú, Agustina

“…By means of studying the superimpositions in rock art, this paper aims to explore whether or not the way people interacted with pre-existing images in CI1 varied as their relationship with the site changed.…”
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THE RUPESTRIAN LANDSCAPE OF CERRO COLORADO (CÓRDOBA PROVINCE, ARGENTINA): DETECTING OTHER SENSES, OTHER CORPORALITIES by Tissera, Luis

“…The archaeological analysis of sites with rock art generates different narratives constructed from elements that define them as such, that is painted or engraved firm operating as visual references representations. …”
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Education and Training Program for the Conservation of Rock Art in Sierra de La Ventana, Province of Buenos Aires (Argentina) by Oliva, Fernando, Panizza, Maria Cecilia

“…Through the implementation of educational campaigns framed in rock art preservation programs, the main work consists on unifying actions between institutions of different hierarchical levels. …”
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First approaches to the analysis of Quebrada Norte rock art in the Cerro Colorado context (Sierras del Norte, Córdoba) by Colqui, Erica Paola

“…The objective of this work is to present an initial characterization of rock art in Quebrada Norte (Sierras del Norte, Córdoba), addressing the expressions and the presence of common features of the repertoire that circulates throughout the region Cerro Colorado. …”
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Rock art as territorial marker: the case of the stylistic group B1 in Río Pinturas área (Santa Cruz, Argentina). by Aschero, Carlos A., Isasmendi, María V.

“…Within the stylistic group B1 of Rio Pinturas rock art, we were able to differentiate specific styles based on the patterns of guanaco representation – variations of “canon B” style- and observed their presence in different sites and places (sensu Ingold). …”
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