The end and the purpose of humanity by Preziosa, María Marta

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Reflections on the Me Too movement and its philosophy by Milner, Jean-Claude

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A violent alteration. About ethics and philosophy of religion by Fonti, Diego

“…Beginning with the short story and film called “Aballay, the fearless man”, I propose to research what Michel de Certeau and Jean Luc Nancy understand as the “essence” of the religious experience: the possibility of holding unto a relationship with unconditional alterity. …”
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Notes on Alain Badiou and the cinema by Laso, Eduardo

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Cinema in the Vidigal School A philosophy of struggle and resistance in the favela by Fresquet, Adriana, Guedes, Marta

“…The article addresses a reflection steeped in the philosophy of Walter Benjamin and Giorgio Agambem that arises from a daily school practice articulated with the community, the cinema, the film library and the university. …”
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«Bad faith», «past» and «death». A reading based on Jean-Paul Sartre’s philosophy by Prestía, Martín

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The subversive power of the Body-without-Organs. Eraserhead by David Lynch as a sequel to David Cronemberg’s Crimes of the Future by Campillos Morón, Luis Ángel

“…The objective of this paper is to make a reading of the film Crimes of the Future (2022) by David Cronenberg Crimes of the Future (2022) by David Cronenberg based on the philosophy of Gilles Deleuze and Felix Guattari. …”
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Kierkegaard and Woody Allen: Humor as the ethical condition of the existential becoming of the individual by García Pavón, Rafael

“…In this paper, humor is analyzed as an ethical condition for the way of being and thinking of the existential becoming of the individual from the conception of Kierkegaard as the form of the cinematic philosophy of Woody Allen’s films. The existential becoming in Kierkegaard is not derived or reduced to the logic of a dialectic or of natural conditions, but depends essentially on the choice of oneself as the link between what has been and what is to come, which constitutes the ethical. …”
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Desire, Existential, Aesthetic, and Philosophical Question by Juliao Vargas, Carlos Germán

“…Then, I focus on an analysis of desire in Ese oscuro objeto del deseo, a film open to a plurality of interpretations. I conclude by reaffirming that authentic philosophizing is attached to everyday things, so it cannot do without our desiring condition.…”
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360° of fictional reality by Ricardi (Texto), Georgina

“…The images that we will share here were taken during the local presentation of the short film at the Bouwer women's prison in September 2019, as part of the Reading and Writing Letters Workshop: Story Factory, which is held weekly at Prison No. 3 for women in Cordoba, through the University Program in the Prison (PUC) and the Secretariat of Extension of the Faculty of Philosophy and Humanities of the National University of Cordoba.…”
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The Turing test in Ex Machina: Is Ava an intentional system? by Caycedo-Castro, Maria Paola, Pinto-Bustamante, Boris Julián

“…Some of the main perspectives in relation to the philosophy of mind are reviewed and the problem posed by the film is analyzed, as to whether Ava, the humanoid robot, passes the Turing test, based on three hypotheses: The mental states described by John Searle constitute the three dimensions of the psychic world and moral deliberation: the factual dimension of perception, the estimative dimension of values, and the pragmatic dimension of actions. …”
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Narrating experiences: "Cinema comes to the neighborhood. Migrant women and the right to culture" by Arrieta , Sofía

“…In order to materialize the project, institutional coordination was carried out with the Extension Secretariat of the School of Philosophy and Humanities, which was also part of this proposal.…”
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Crime, sexuality and conurbano in José Celestino Campusano’s by Martinelli, Lucas Sebastián, Martinelli, Lucas Sebastián, Martinelli, Lucas Sebastián

“…With a methodology that takes up the practices of cinematographic analysis, the tools of art historiography, and the proposals of political philosophy as a background for certain theoretical concerns, these problems are developed from a journey through the notions about genre cinema, some contemporary films that portray the conurbano, and particularly the cinema of José Celestino Campusano.…”
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