Secrets of a Soul by Douville, Olivier

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Biopic, memory and nostalgia: a criminal’s biography by Dillon, Alfredo

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Book Review: A course on human rights on the big screen by Pérez Fernández, Francisco

“…The aim of this paper is to comment the work Human Rights in cinema, written by Benjamín Rivaya García. The book itself is an original exercise of analysis on the presence that human rights have had in cinematographic narration throughout history. …”
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Cinema in the Vidigal School A philosophy of struggle and resistance in the favela by Fresquet, Adriana, Guedes, Marta

“…The article addresses a reflection steeped in the philosophy of Walter Benjamin and Giorgio Agambem that arises from a daily school practice articulated with the community, the cinema, the film library and the university. The Djalma School of Cinema/CINEAD investigated, with its filmmaking action shared between the teacher and students, the history of the Vidigal favela, Rio de Janeiro. …”
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Cultural trauma and violence in contemporary Mexico by Telléz Parra, Andrés

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Ethics Noir in LA by Cañas Pelayo, Marcos Rafael

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The Total Art of Eisenstein: The Ideology Behind The old and the New by Viera, Tomás

“…The history behind early Soviet cinema has fascinated Western scholars for decades. …”
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Testimony of the lost image by López Delacruz, Santiago Martín

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The formation of the latin american video movement: conditions, agents and speeches by Aimaretti, Maria

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The ethics of the dispute. A filmographic analysis of postmarital litigation by Christiansen, María L.

“…As a narrative art and focused on the human condition, cinema recreates (and, at the same time, interrogates) the intricate ways of facing conflict in social life. …”
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The worlds of Watchmen by Agudelo Ramírez, Martín

“…This work relates several narratives taken from Watchmen, graphic novel that was adapted in the cinema, with reflection contexts of moral and political philosophy. …”
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Dunkerque by Moscovitz, Françoise

“…The spectator witnesses a history of the past but leaves it in a passive position. …”
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Under the sign of a wild god: contemporary scenarios of the superhero by Pintor Iranzo, Ivan

“…Beyond their mythological dimension, the contemporary movie adaptations of the Marvel superheroes universe offer a pedagogy about the technological relationship between body and mutation. Throughout the history of the superhero comic-book, the myth has evolved from the original unfolding of the hero, double identity and mutation towards narratives related to the oneiric and also to a field of philosophical tension between transhumanism and the posthuman. …”
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