The space, the device and agriculture: a foucoltean view on the configuration of the agricultural production space in the lra site, Valle de Ambato, Catamarca, Argentina by Rodríguez Oviedo, Melisa

“…The Ambato Valley is located in the center-east of the province of Catamarca, within the Department that bears the same name. …”
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Memory and heritage. An ethnographic approach to the re-construction of the recent past in the city of Olavarría, Buenos Aires province, Argentina by Lencina, Rocio

“…This report will focus on the re-construction processes of the recent past in relation to the patrimonial constitution of the former clandestine detention center Monte Pelloni. In this sense, several views will be taken into account that converge in the daily life of the city of Olavarría, as manifestations / demands for human rights at local level. …”
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3. Al corral todos los día. Muestra “Mirá ese monte”, Traslasierra. by Quirós, Julieta

“…Julieta Quirós, 2019”); y b) Compartir bajo la misma licencia (si alteras o transformas las imágenes o textos de esta obra, o generas una obra derivada, sólo puedes distribuir la obra generada bajo una licencia idéntica a esta)].…”
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El monte es casa. [Muestra “Mirá ese monte”. Patio de la familia Carranza, Paraje Portezuelo, Traslasierra] by Quirós, Julieta

“…Julieta Quirós, 2019”); y b) Compartir bajo la misma licencia (si alteras o transformas las imágenes o textos de esta obra, o generas una obra derivada, sólo puedes distribuir la obra generada bajo una licencia idéntica a esta)].…”
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El monte es casa. [Muestra “Mirá ese monte”. Patio de la Familia Pacheco y Duarte, Paraje La Guarida, Traslasierra] by Quirós, Julieta

“…Julieta Quirós, 2019”); y b) Compartir bajo la misma licencia (si alteras o transformas las imágenes o textos de esta obra, o generas una obra derivada, sólo puedes distribuir la obra generada bajo una licencia idéntica a esta)].…”
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El monte es casa. [Muestra “Mirá ese monte”. Patio de la familia Pacheco, Paraje San Isidro, Traslasierra] by Quirós, Julieta

“…Julieta Quirós, 2019”); y b) Compartir bajo la misma licencia (si alteras o transformas las imágenes o textos de esta obra, o generas una obra derivada, sólo puedes distribuir la obra generada bajo una licencia idéntica a esta)].…”
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El monte es casa. [Muestra “Mirá ese monte”. Tala del patio, Familia Pacheco, Paraje San Isidro, Traslasierra] by Quirós, Julieta

“…Julieta Quirós, 2019”); y b) Compartir bajo la misma licencia (si alteras o transformas las imágenes o textos de esta obra, o generas una obra derivada, sólo puedes distribuir la obra generada bajo una licencia idéntica a esta)].…”
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¿El pollo? Casero. [Muestra “Mirá ese monte”. Gallina de la Flia. Regis, Paraje San Isidro, Traslasierra] by Quirós, Julieta

“…Julieta Quirós, 2019”); y b) Compartir bajo la misma licencia (si alteras o transformas las imágenes o textos de esta obra, o generas una obra derivada, sólo puedes distribuir la obra generada bajo una licencia idéntica a esta)].…”
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¿El pollo? Casero. [Muestra “Mirá ese monte”. Patio de Pirucha Ferreyra, San Javier, Traslasierra] by Quirós, Julieta

“…Julieta Quirós, 2019”); y b) Compartir bajo la misma licencia (si alteras o transformas las imágenes o textos de esta obra, o generas una obra derivada, sólo puedes distribuir la obra generada bajo una licencia idéntica a esta)].…”
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¿El pollo? Casero. [Muestra “Mirá ese monte”. Juan Carlos Arregui y Thiago Acosta del Paraje San Isidro, Traslasierra] by Quirós, Julieta

“…Julieta Quirós, 2019”); y b) Compartir bajo la misma licencia (si alteras o transformas las imágenes o textos de esta obra, o generas una obra derivada, sólo puedes distribuir la obra generada bajo una licencia idéntica a esta)].…”
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¿El pollo? Casero [Muestra “Mirá ese monte”. Serafín Pacheco y Ofelia Duarte del Paraje La Guarida, Traslasierra] by Quirós, Julieta

“…Julieta Quirós, 2019”); y b) Compartir bajo la misma licencia (si alteras o transformas las imágenes o textos de esta obra, o generas una obra derivada, sólo puedes distribuir la obra generada bajo una licencia idéntica a esta)].…”
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¿El pollo? Casero. [Muestra “Mirá ese monte”. Gaspar y Germán Pacheco, Paraje San Isidro, Traslasierra] by Quirós, Julieta

“…Julieta Quirós, 2019”); y b) Compartir bajo la misma licencia (si alteras o transformas las imágenes o textos de esta obra, o generas una obra derivada, sólo puedes distribuir la obra generada bajo una licencia idéntica a esta)].…”
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Speaker’s Oral presentations by Pautassi, Ricardo M.

“…CP 70000, 56-2-9786908 ltampier@med.uchile.clUSE OF MOLECULAR BIOLOGY FOR SCREENING THE PLASTICITY OF NEUROTRANSMITTER RECEPTORS Elizabeth Teodorov, Mathematics, Computing and Cognition Center, Universidade Federal do ABC eteodorov@usp.br…”
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THE MANUSCRIPT AS A POINT OF ARRIVAL: THEATRE AND NARRATIVE BEFORE LEONIDAS LAMBORGHINI’S TRENTO by Repetto, Carolina Rosa

“…In the manuscripts of Leonidas Lamborghini's novel, Trento, the comments on the spectator demonstrate the force that acquires the theatrical and narrative dimension in his  work, not only in borrowing the dramatic techniques but especially in considering genres and their) edges. The organization of the Lamborghini’s manuscripts has allowed an exhaustive analysis of the aspects of his narrative works and Trento "dramatic texts" as for director’s indications or scenic formats, and also the conception of spectator/reader in some of his works. …”
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A NON FINISHED PAST: REFLECTIONS ABOUT OWN DISAPPEARANCE EXPERIENCE AND ITS CURRENT PERSISTENCES by Lampasona, Julieta

“…Departing from the idea that lived experience inside the Clandestine Detention Centers (CDC) constitutes a “limit experience” which effects continue to emerge in the present, the aim of this article is to understand the modes of emergence and/or persistence of lived violence in the subjective space. …”
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Analysis of an Instrument for Assessing Institutional Support in Cases of Child Maltreatment by Arredondo, Valeria, Saavedra Inostroza, Andrea, Guerra, Cristóbal, Arredondo, Valeria, Saavedra Inostroza, Carolina, Guerra, Cristóbal

“…Data from 544 children and adolescents that were receiving treatment in specialized centers in Chile was contemplated. I-APSI and two instruments assessing relat-ed constructs were applied. …”
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An Approach to Instructional Theory, a Response to the educational challenges of the Post-Industrial Society by Campana, Ingrid

“…The Post-Industrial Theory of Instruction directs the educational processes in the learning, centers the instruction in the student and seeks to enhance their talents and abilities; attaches importance to personalized instruction and discards standardized training. …”
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Argentina versus the Free Trade Agreement of the Americas by Jacobo, Alejandro

“…First, the presentation begins by answering what the FTAA is, detailing the current situation of the negotiations for the benefit of readers unfamiliar with the agreement. Next, the essay deals with a rapid issue related to the future of protectionism in the agricultural sector, as this is also the most disappointing sector of all in terms of discussions. …”
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20 years. The mountain is still standing thanks to its people by Marín, Marcela Cecilia

“…On Monday 20, as part of the opening of the anniversary, the exhibition "20 years standing up" was inaugurated at the Melipal Cultural Center, and ended with another ascent to Calfu Mahuida hill.…”
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Notes on the film (Un)Appearing (United Kingdom, 2023), by Piotr Cieplak and Mariana Tello by Hunziker, Paula

“…(Des)Aparecer is a documentary film that follows two protagonists, Gabriel Orge, a photographer from Córdoba known for his large-scale public projections of photos of the disappeared, and Ana Illovich, a survivor of the clandestine detention center "La Perla" and a writer. I do not think I am wrong if I say that both have left their mark on the ways in which we look at and try to understand the remains, the marks, the grays and chiaroscuros that in the present allude to a collective and individual life affected by the dictatorship. …”
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