Imágenes del presente. Una lectura de E agora? Lembra-me de Joaquim Pinto by Vaggione, Alicia

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La tierra vista desde la tierra: notas sobre la rabia by Svetko, Fernando

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CINEMATIC SABOTAGES: HITCHCOCK, TARANTINO, AND ALMODÓVAR by Stallings, Gregory Charles

“…This essay considers the theme of sabotage in Hitchcock, especially in his British film Sabotage, in terms of Manuel Asensi’s syllogistic theory. …”
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360° of fictional reality by Ricardi (Texto), Georgina

“…On this occasion, in the Audiovisual Debates section we will present the experience of Metro Veinte: Cita Ciega, a short film in virtual reality that tells the story of Juana, a teenager in a wheelchair who goes on a blind date to start hersexuality. …”
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La relación ser-humano-naturaleza en el largometraje de Hayao Miyazaki: Nausicaä del Valle del Viento, desde el principio de armonía confuciano by Santiago, Omar

“…The present work proposes a reading of the human-nature relationship in the film developed by the Japanese director Hayao Miyazaki: Nausicaä of the Valley of the Wind, through the Confucian principle of harmony, expanding the way in which the role of the moral agent in Miyazaki’s work has been understood in its relationship with nature.…”
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37°2 Le Matin by Telles da Silva, Luiz-Olyntho

“…The text presents the analysis of a film in which the main characters, dramatizing a folie-a-deux, show, through a blue note – the melodic expression of melancholy –, to which point a fragile structure of the Symbolic can make it difficult to cross of the phantasmatic Real and also the consequences of this in the life of the subject.…”
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Transferencia y deseo del analista by Laso, Eduardo

“…En Un método peligroso, la relación de dependencia transferencial y los riesgos que conlleva su mal manejo por parte de Jung son tratados a través de la lente de David Cronenberg, no obstante la diferencia de intereses entre el director canadiense, quien lleva sus obsesiones a los temas que aborda, y los del psicoanálisis en tanto teoría y práctica clínica. Si bien el film no pretende ser un acercamiento riguroso al método psicoanalítico, puede ser leído en sí mismo como un síntoma de la vigencia que mantiene el aporte central de Freud y las vicisitudes de su lectura un siglo después.…”
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Cronenberg-Wagner y el subtexto musical de la relación entre Jung y Freud by Michel Fariña, Juan Jorge, Lima, Natacha

“…Un ejemplo reciente es el abordaje del espinoso tema de la transferencia analítica propuesto por David Cronenberg en el film “A Dangerous Method”. A través del subtexto musical que ofrecen distintas óperas de Richard Wagner el director aporta una cuerda suplementaria para acceder a la difícil relación entre Freud y Jung.…”
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La responsabilidad por la repetición by Laso, Eduardo

“…A partir del pensamiento de Søren Kierkegaard y Friedrich Nietzsche se retoma el concepto de repetición, mostrando como en estos autores la repetición puede ser una novedad, una tarea de la libertad, el objeto mismo del querer. El film permite pensar así a la repetición de Nietzsche como una forma de legalidad que supera a la moral kantiana, introduciendo una reflexión acerca del deseo y el amor.…”
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Individualismo moral e indiferencia por el Otro by Sánchez Vázquez, María José, Biganzoli, Bruno

“…El presente trabajo se inicia en el dilema ético planteado en el film El hombre de al lado para avanzar en la reflexión sobre la necesidad de encontrar un justo medio, siempre conflictivo, entre la aspiración a una vida buena (lo que cada uno considera su felicidad) y lo imperativo de la norma (el deber que obliga a todos). …”
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Evocation of memories through Mexican gold cinema by Maya Rivero, Annika, Castro Ricalde, Maricruz

“…Its projection was divided in three sessions, in which material of support was used, extracted of the film, this material was classified according to the human senses in order to promote the sensorial stimulation in the participants. …”
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The gaze by the camera / Cinema, puberty scenes and juvenile sexual theories by Bonnet, Christian, Chevalier, Julie, Vollon, Clarisse, Gimenez, Guy

“…The article unveils an analytical clinical sequence with Olga, a teenager associating in a session around a scene from the film Freaks by T.Browning. The text articulates the concepts of look at the camera (Vernet) and gaze by the camera (Bonnet) as giving particular account in thecourse of the treatment of the construction of scenes, even adolescent fantasies. …”
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The hunt for truth by Dibarbuore, Michel

“…This essay is based on the film “Jagten” (“The Hunt”) directed by Thomas Vinterberg (2012), in which it is possible to address problematic issues related to the truth of discourse, sexuality and violence. …”
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Editorial: El Oscar de las víctimas: la ética y el espectáculo del Mal by Michel Fariña, Juan Jorge

“…Y es allí cuando emerge el verdadero film. O mejor: el film que permite enunciar, por fuera de toda conciencia del Mal, una verdad del sujeto.O en The Revenant (González Iñárritu, 2015), cuando el personaje de Fitzgerald le da a Hugh Glass (Leonardo DiCaprio) la falsa oportunidad de decidir si lo remata o no en nombre del bien de los demás y de sí mismo. …”
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The Danish Girl by Ordoñez, Pilar

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What burns in Candelaria is life by Virgilí Pino, Dalia

“…Logic and consequence of such definition unfold, also the resonances with some authors of difference feminism. The film Candelaria, a latin american co-production and directed by Jhonny Hendrix Hinestroza, is taken as a reference to account for the difficulties of capturing the feminine jouissance, either through the gaze or any instinctual aspect as well as through language.…”
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Is it possible an ethical decision in the concentration camp? About Sophie’s choice by Oviedo Correa, Yairsiño

“…In concentration camps exceptionality is a constant factor, which encourages certain social forms and behaviours that overstep what would be the “usual” forms and ways of acting. The film Sophie’s Choice by Alan Pakula, alike the novel by the same name it is based on, presents us with a scenario that has been interpreted as a matter of decision-making when faced with an ethical dilemma (choosing between life and death regarding the main character’s own children) in Auschwitz-Birkenau concentration camps.In view of all the analyses that try to explain the issuesthat stem from ethical dilemmas, this paper, following the agambenean theory, argues that there is no such thing as ethical decision-making in concentration camps, given that the traditional legal order has been suspended, moral discernment has been blocked, and hence what does appearis behaviour that simply adapts itselfto the exceptional circumstances that prevail.…”
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