Pain in memory: memory, politics and aesthetics in the feature film Hannah Arendt (2012), by Margarethe von Trotta by García Martín, Francisco David

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37°2 Le Matin by Telles da Silva, Luiz-Olyntho

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Les choses humaines by Widmer, Vania

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Responsibility for pleasure by Laso, Eduardo

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La sexuación humana by Costa, Esteban

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Anticipo: “Chantal Akerman, Obra escrita y hablada” by Alvarez de Toledo , Sandra

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Reseña del libro: La felicidad más allá del bien y del mal, Hernandez Iglesias (2022) by Fernández González, Andrea

“…Philosophy and cinema find a new meeting point through the figure of Hannibal Lecter. …”
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I look for native images that respond to invasive images. Interview with César González by Blázquez, Nahuel, Villarreal, Agustín

“…César González is a writer, poet and filmmaker with several books and fictional works that place him at odds with what happens on a large scale in contemporary cinema. In his work, his own experience of being imprisoned stands out as well as a politicized narrative of what it means to live in the slums of the province of Buenos Aires. …”
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The subversive power of the Body-without-Organs. Eraserhead by David Lynch as a sequel to David Cronemberg’s Crimes of the Future by Campillos Morón, Luis Ángel

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Heroicity as an arena of gender struggle. The case of the Robin Hood series by Luque, Cecilia Inés

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Reseña: LATIMOS: Un viaje sonoro desde el cuerpo hacia la inspiración by Ajzensztat, Tamara

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Series: una interpretación del síntoma by Gómez, Mariana, Michel Fariña, Juan Jorge

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La Gran Cuestión. Comentarios sobre la dignidad by Gonzalez, David

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Tony Soprano: el hablador by Duarte, Juan Pablo

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La solución de Sheldon Cooper. The Big Bang Theory | EEUU | 2007- by Molina, Eugenia

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Transferencia y deseo del analista by Laso, Eduardo

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El desfiladero de la transferencia amorosa. by Ormart, Elizabeth

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Notas a "Observaciones sobre el amor de transferencia", de Sigmund Freud by Gutierrez, Carlos

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Cronenberg-Wagner y el subtexto musical de la relación entre Jung y Freud by Michel Fariña, Juan Jorge, Lima, Natacha

“…El género operístico, sucedáneo de la tragedia griega, ha sido elegido por muchos directores de cine para presentar en pantalla el pathos del dilema ético. …”
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El alma de Sabine Spielrein by Ortega Bobadilla, Julio

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