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  3. 6723

    What does not kill you makes you more barbaric. Conan as a Nietzschean superman by Ortiz Delgado, Francisco Miguel

    Published 2017
    “…We also compare the film with another two characters of world cinematography (and imagery): Hercules and Mad Max. This comparison is made with the purpose of discern Milius´s efficiency to show the unique qualities of Conan as a nietzschean superman.…”
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  8. 6728

    Traumatic flights, imaginary parents and neurotic bourgeoisie by Conrod, Frédéric

    Published 2018
    “…Damián Szifrón’s blockbuster Wild Tales came to the box office as a landmark in Argentinian cinema, not only because it reveals a deep gaze on the aggressive nature of a culture that self-repressed its traumas, but also because every Western culture can contemplate ethically its own scars in this collection of anecdotic tales. …”
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  9. 6729

    Assessment of natural vegetal extracts in the inhibition of Leuconostoc mesenteroides MS1 by Serra, M. A., Garnero, J. A., Nicolau, V. V., Andreatta, A. E.

    Published 2018
    “…It has been found that the essential oils obtained from Citrus lemon peels and Aloysia polystachya, Eucalyptus cinerea and Laurus nobilis leaves can be used as bactericides against the growth of Leuconostoc mesenteroides MS1. …”
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  10. 6730

    The eye of the camera and the rhetoric of the image by Bonnet, Christian

    Published 2018
    “…Next, the themes of memory and recollection in their Freudian aspects are classically considered; as well as the links and distances between Freud, cinema and psychoanalysis. The rhetoric (in the sense of Yates and Arasse) is articulated with the figuration to propose a classical connection in the structuralist field (Barthes, Foucault) between speech and cinema. …”
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  11. 6731
  12. 6732

    Dunkerque by Moscovitz, Françoise

    Published 2018
    “…Finally, he reflects on the relationship between cinema and art but also has a relationship with the production industry that seeks to dazzle and move viewers.…”
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  13. 6733

    The lost image by Renard, Caroline

    Published 2018
    “…Working on the diversity of images leads the trauma in the cinematic material…”
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