In praise of the impossible to calculate by Smania, Gisela

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Unbearable strangeness by Parici, Micaela

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La transparencia, política del engaño: Entrevista a Gustavo Dessal by Duarte, Juan Pablo, Beloso, Lorena, Brodsky, Juan Ernesto, Destéfanis, Eugenia, Foco, Gigliola, Castro, Eugenia

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Cinematographic Imaginaries Around the Contempt of the Undocumented. Between Xenophobia and Dehumanization by Ortega Mantecón, Alfonso, Anchondo Pavón, Sandra

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Nomadland and the negation of the predicate by Zabalza, Sergio

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Lisbeth Salander, a current hysteria by Bafico, Jorge

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Simpson Study by Battisti, Omar

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Seventh art and empathy teaching in medicine students during pandemic cause by SARS-CoV-2/COVID-19 by Chamorro-Plata, David, Fajardo-Orduña, Guadalupe

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The banality of oblivion. Meta-memory in the 2020’s cinema by Roncero Villarón, Israel

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Regretting Mothers in The Lost Daughter by Lima, Natacha Salomé

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Omnivoyeur. Commentary on The Truman Show, by Peter Weir by Laso, Eduardo

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The Truman Show: A Horizon in Bankruptcy by Michel Fariña, Juan Jorge

“…Since the work is out of print, the original text is reproduced here as part of the tribute to the 25th anniversary of the film and to the validity of the ideas it promotes. …”
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The landscapes of grief: spaces of loss on the Argentine coast by Gordon, Rocio

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Desire, Existential, Aesthetic, and Philosophical Question by Juliao Vargas, Carlos Germán

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Science and Profession Congress Symposium 2023. Psychoanalysis, ethics and cinema by Destefanis, Eugenia, Foco, Gigliola, Brodsky, Juan, Duarte, Juan Pablo, Mastandrea, Paula

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The city of excited nerves: urban life in classic Argentine film noir by Giacomelli, Daniel Adrián

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Puesta en abismo by Mastandrea, Paula Belén, Amatriain, Lucía, Olivares Waisman, Laura, Schneider, Úrsula, Trovato, Ignacio

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The subversive power of the Body-without-Organs. Eraserhead by David Lynch as a sequel to David Cronemberg’s Crimes of the Future by Campillos Morón, Luis Ángel

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The Femme Fatale Function in Film Noir and Poetic Realism by Dardón, Juan M.

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Heroicity as an arena of gender struggle. The case of the Robin Hood series by Luque, Cecilia Inés

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