- SOCIOLOGIA 300
- CIENCIAS SOCIALES 56
- SOCIOLOGIA POLITICA 36
- ANTROPOLOGIA CULTURAL Y SOCIAL 35
- Sociología 30
- CAMBIO SOCIAL 23
- SOCIOLOGIA DE LA RELIGION 21
- CULTURA 20
- HISTORIA SOCIAL 20
- PUBLICACIONES PERIODICAS 20
- SOCIEDAD 19
- PSICOLOGIA SOCIAL 17
- EDUCACION 16
- ANTROPOLOGIA 15
- SOCIOLOGIA RURAL 15
- INVESTIGACION SOCIAL 14
- POLITICA 14
- SOCIOLOGIA DEL CONOCIMIENTO 14
- SOCIOLOGIA ECONOMICA 14
- TEORIA SOCIAL 13
- ANALISIS SOCIOLOGICO 12
- CLASES SOCIALES 11
- ESTRUCTURA SOCIAL 11
- FAMILIA 10
- ESTRATIFICACION SOCIAL 9
- ETNOGRAFIA 9
- PROCESOS SOCIALES 9
- RELIGION 9
- ANTROPOLOGIA SOCIAL 8
- ESTADO 8
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POWER, CONTINGENCY AND SOCIAL ORDER IN THE THEORY OF SYMBOLIC GENERALIZED MEDIA OF NIKLAS LUHMANN
Published 2015“…The hypothesis that we develop states that in this theory a partial subordination of the sociological problem of social order to the question of the improbable conditions of possibility of control and/or regulation of action is produced. …”
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Race, raciology and racism in Marcelo Bórmida´s works
Published 2012“…His approach is not sociological but raciological. For this analysis, mainly two of Bormida’s early works are studied: on the settlement of Easter Island (Chile), and on the peopling of Patagonia (Argentina).…”
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The Social Philosophy of Domingo Faustino Sarmiento
Published 1914“…Sarmiento's production is disorderly and chaotic; we have already said that no sociological system predominates in it. SIXTH PART: Conclusions. …”
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659
FLOWS OF POWER AND POWER OF FLOWS: ANALYSIS OF A CENTRAL FORMULA IN MANUEL CASTELLS
Published 2015“…In this paper I analyze Manuel Castells´s main formula of power associated with his notion of flow, and one of the centerpieces of his sociological theory of power from 1986: the relationship between flows of power and power of flows. …”
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660
The Scene of Fear: Possibility of an Aristotelian Reception of Contemporary Terrorism
Published 2020“…The article attempts, contrary to tradition, to interpret the phenomenon of fear caused by contemporary terrorism, rather than as a political or sociological effect, as an essentially aesthetic emotion, that is, a sensation that is produced in us once we have "represented" the incident as a tragic scene. …”
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