Echeverría and his doctrine by Orgaz, Raúl Andres

“…More than a poet, Echeverría has been an idealist; more than an idealist, a thinker; more than a thinker, an idealist and a poet, he has been a teacher, and the teacher of a great generation. …”
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The tower of knowledge. To the University of Cordoba, in its third centenary by Cibils, José

“…Félix Garzón Maceda, by the distinguished poet Cibils.…”
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Just the end of the world by Broda, Vladimir, Benhaim, Michèle

“…Steve and Louis are tragic heroes of the present times, confronted with the “reality as it is”, this illness that poet Gérard De Nerval calls melancholy. Xavier Dolan translates the subjective depths of these contemporary heroes and it upsets us... …”
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RE(CREATION) OF THE OUTSIDE WORLD IN THE ARGENTINIAN PENITENTIARY POETRY (1976-1983) by Guillard, Amandine

“…We propose to deal with the way in which the poets considered the poetry as a resistance weapon where they expressed their craving for freedom in poetry, recreating the outside world which represented an unlimited source of desires. …”
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I look for native images that respond to invasive images. Interview with César González by Blázquez, Nahuel, Villarreal, Agustín

“…César González is a writer, poet and filmmaker with several books and fictional works that place him at odds with what happens on a large scale in contemporary cinema. …”
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Deleuzian Perspective of Cinema as a Means to Believe in The World Again. An Analysis from The Cinematography of Peter Weir by Muñoz Becerra, Felipe Arthur

“…We focus in part of Peter Weir’s filmography, more precisely in the movies Dead Poets Society and The Truman Show, and we will go in search of the mission entrusted by Gilles Deleuze to the cinema, whose objective is to film the connection between the human being and his world and if part of the cinema created in the past decades has responded to the said call. …”
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Sung talks: about poetics and transformations in rural society by Silva, Simone

“…The text is based on ethnographic material produced in «ambientes» of cantoria-de-parede, through my relationship with poets and residents of this region. Considering ethnographic stiuations crossed by elements of speeches, for example, poems, glosses and improvised songs, which are taken here as privileged analytical elements because of its importance and centrality in the social dynamics, I intend to go forward the reflection on the local perception of time and simultaneously demonstrate how this notion is closely connected to the poetic experimentation that is peculiar to the region. …”
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