The good life of Sebastião Salgado: analysis of the film The Salt of the Earth by González, Juan Manuel

“…The text studies the ethical problems that arise from the representation of the pain and suffering of others around the narrative of a life well lived, in reference to the Brazilian photographer Sebastião Salgado, at the levels of the text, the authors, critical reception and historical, cultural and ideological perspectives.…”
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Mirando imágenes, leyendo significados. antropología y el análisis de fotografías en colecciones by Gluzman, Geraldine Andrea

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Occipital endocranial variations by Cafferata, Juan Felix

“…This fact has helped us to study, in some isolated bones, which we reproduce photographically in our work, the variations that are usually observed and, above all, to find the explanation for them.…”
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Normative data from the International Affective Picture System (IAPS) in an Argentine sample. Third part by Irrazabal, Natalia, Tonini, Fernando

“…A sample of 623 university students evaluated a total of 360 photographs in the three affective dimensions: valence, activation and dominance. …”
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THE PROTECTION OF THE CULTURAL HERITAGE OF GALICIAN EMIGRATION IN CARTAGENA DE INDIAS (COLOMBIA). REFLECTIONS ON THE CONSERVATION OF CASA GALICIA by Vázquez-Miraz, Pedro, Matos, Camilo, Romero, Luis

“…By means of an analysis of documents and photographs, the history of this house was studied as a representative symbol of the protection of Cartagena’s cultural heritage. …”
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Cinema in the Vidigal School A philosophy of struggle and resistance in the favela by Fresquet, Adriana, Guedes, Marta

“…From this gesture, an entire field of research is constituted, and with it the discovery and restoration of, in partnership with the Cinemateca of MAM-Rio, of Super-8 images, photographs, and cassette tapes about the resistance of the residents of the Vidigal favela against their removal to the Antares/Santa Cruz Housing Complex in 1977/78. …”
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Notes on the film (Un)Appearing (United Kingdom, 2023), by Piotr Cieplak and Mariana Tello by Hunziker, Paula

“…(Des)Aparecer is a documentary film that follows two protagonists, Gabriel Orge, a photographer from Córdoba known for his large-scale public projections of photos of the disappeared, and Ana Illovich, a survivor of the clandestine detention center "La Perla" and a writer. …”
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Reflections on the process of creation of archaeological collections in Tandil (province of Buenos Aires) by Arislur, Selene

“…On the one hand, for the registration of the pieces were considered type-morphological criteria, rawmaterials, measures of the main axes, state of the objects, photographs and provenance. On the other hand,at the collection level, we took into account the collection, selection, classification and storage processes thatdescribe the life histories of each set. …”
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An unpublished manuscript of Rudolf Schreiter on archaeology in northwestern Argentina. Relations between collectionism and scientific research in the early XXth century by Palamarczuk, Valeria, Grimoldi, Maria Solange

“…The transaction included the sending of a catalog, photographs and a manuscript in German describing the archaeological field work conducted in 1907. …”
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First anthracological approach for the Tafí valley (Tucumán, Argentina) by Aguirre, María G., Peña Monné, José L., Sampietro Vattuone, María M.

“…The charcoals were examined by observing the three diagnostic sections of the stem anatomy with a binocular magnifying glass, an optical microscope with incident light, and photographs were taken with a scanning electron microscope. …”
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First anthracological approach for the Tafí valley (Tucumán, Argentina) by Aguirre, María G., Peña Monné, José L., Sampietro Vattuone, María M.

“…The charcoals were examined by observing the three diagnostic sections of the stem anatomy with a binocular magnifying glass, an optical microscope with incident light, and photographs were taken with a scanning electron microscope. …”
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La capilla funeraria de la tumba de Neferhotep (TT49): avances en el proceso de documentación by Iamarino, M. Laura, Neira Cordero, Elisa, Ojeda, Valeria, Lovecky, Gabriela

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La capilla funeraria de la tumba de Neferhotep (TT49): avances en el proceso de documentación by Iamarino, M. Laura, Neira Cordero, Elisa, Ojeda, Valeria, Lovecky, Gabriela

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Report of the first season at the tomb of Amenmose (TT318), Luxor, Egypt by Manzi, Liliana, Yomaha, Silvana Lorena, Zingarelli, Andrea Paula

“…It also included the photographic, visual and thematic cataloging record. …”
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THE USE OF DIGITAL PHOTOGRAMMETRY AS A COMPLEMENTARY RECORD IN ARCHAEOLOGY. SCOPE OF THE TECHNIQUE AND CASES OF APPLICATION by Moyano, Gonzalo

“…This technique allows to construct models in three dimensions from conventional photographs of almost any type of objects. We present three cases of applications: a model of an excavated enclosure, the recording of a lithic statuette and the creation of an orthophotography of an excavated enclosure. …”
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Análisis de los procesos de formación cultural en el sitio Mansión Seré. Un abordaje a partir del proceso destructivo de la casona (1978-1985) by Doval, Jimena, Giorno, Pablo Francisco

“…Since the destructive processes, we identify the influence of social practices in the creation material culture. The photographic record, the “claimed” objects, the excavation records and the oral memory made possible the interpretation of the cultural formation processes (PFC) that took place in the site. …”
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Culture, Image and Power: Endless Visualities in Global Society by Bruera, Rodrigo

“…This article proposes to consider images and their impact on a global scale, based on the analysis of iconic photographs that have remained in the collective unconscious of western societies in the 20th and 21st centuries. …”
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THE DETERIORATION OF PANDEMIC MATERIALITIES IN TILCARA (JUJUY, ARGENTINA). : ANTHROPOLOGICAL INSIGHTS IN THE END OF PROTOCOLS by Carreras, Jesica, Petit, Facundo

“…In theoretical terms, we triangulate contributions from three different traditions: anthropological and archaeological studies on materialities, cultural chronotopies, and the anthropology of experience. Based on the photographic and ethnographic record that we produced in Tilcara during the two years of the pandemic, we propose how this context imposed a heterogeneous material regime that has left room for social creativity and the local appropriation and resignification of these materialities, with an impact on the configuration of various alterities. …”
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