The colors of San José pottery from Yocavil valley, Argentine Northwest. Strategy for the characterization of archaeological pigments using non-destructive techniques by Tomasini, Eugenia Paula, Palamarczuk, Valeria, Zalduendo, María Mercedes, Halac, Emilia Beatriz, Porto Lopez, Jose Manuel, Fuertes, María Cecilia

“…Using this strategy, we study the composition of paints and slips of different colors –cream, black and red– used by the old potters of the Yocavil valley (Catamarca Province, Argentine) to produce “San José” ceramics (ca. …”
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The other rock art from El Alto-Ancasti: the sets of engravings and their articulation in the landscape by Gheco, Lucas, Zucarelli, Verónica, Meléndez, Ana Soledad, Quesada, Marcos

“…This rock art modality is imbricated and constitutive of the everyday landscapes, almost opposed to the restricted spaces within the painted caves.…”
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Acting: The mise en abyss in cinema as a resource of the analytical clinic by Michel Fariña, Juan Jorge, Laso, Eduardo

“…This paper presents a dozen scenarios in which this hypothesis is verified, analyzing the value of plays, paintings, musical segments or directly films within films.…”
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Testing ceramic pigment recipes: experimental design and first results for red hues from Fiambalá region (Tinogasta, Catamarca) by Basile, Mara, Freire, Eleonora, Reinoso, María, Rossi, Micaela, Halac, Emilia, Ratto, Norma

“…Archaeometric results (Raman spectroscopy and X-ray diffraction) achieved by an interdisciplinary group of archaeologists, physicists and chemists show that the same base compound (hematite: α-Fe2O3) was employed to obtain red paints with a wide palette of tonalities, as the ones observed in slips and designs from recovered pottery pieces in Fiambalá and Chaschuil regions, dating from the 1st to the 16th centuries AD. …”
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Analysis and interpretation of Córdoba rock art in late XIX through late XX centuries publications by Ochoa, Graciela Soledad

“…The paintings and engravings found in the Córdoba province, have been studied partially and sporadically. …”
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Salar de Infieles (25°S-69°W): ceramic occupations, rock art and cultural interrelations of a highland settlement, Atacama Region, Chile by González Godoy, Carlos, López Mendoza, Patricio, Carracedo, Consuelo, Carrasco , Carlos, Latorre, Elvira, Loyola, Rodrigo, Díaz-Jarufe, Pablo, Castells, Carmen, Méndez, Víctor, Varas, Daniel, Orrego, Vanessa

“…This site is located adjacent to an ignimbrite wall with several rock paintings. The analysis of these paintings and engravings, together with the excavation carried out, made it possible to identify three pottery occupations. …”
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Frida Kalho: the look of cinema by Scotto Di Vettimo, Delphine

“…It recounts the tumultuous life of the artist since his young student life,his accident and his passionate relationship with the muralist Diego Rivera.Numerous references to Frida Kahlo’s paintings are included in the scenography and recall the richness and complexity of her work: more than onehundred and forty paintings, of which fifty are self-portraits, which come in different themes: politics, Mexicanism, love, nature, suffering, femininity or even death.It is from the analysis of a particular scene [which galvanizes the radicality of the abortion test and offers a framework for the expression of the temporality specific to this event, which I qualify as traumatic] that this article, which stands at the crossroads of cinema and psychoanalysis, explains adecisive stage in the creative process in Frida Kahlo.Here, the examination of the dialectic between creative process and trauma, allows us to grasp, in the nascent state, the implementation of modes ofpictorial creation which sign a new temporality in his pictorial art.Beyond that, the challenge of the biopic is to succeed on the one hand in weaving, modeling, staging and images the life of this extraordinary artist;and on the other hand to allow the spectator to discover the entanglement between the creative subjectivity of the artist and his work.…”
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Analysis of rock art superimpositions in Cerro de los Indios 1 (Lago Posadas, Santa Cruz) by Papú, Agustina

“…Carvings appear in accessible areas of the site, without contact with the existing paintings. This rupture coincides with a time in which the relationship between the site and its occupants was amidst a transition, as well as a period of environmental changes modifying the landscape.…”
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El arte de las mujeres Aónik'enk y Gününa Küna-kay Guaj'enk o Kay Gütrruj (las capas pintadas) by Caviglia, Sergio E.

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El arte rupestre como expresión gráfica en las microregiones Cafayate y Santa Bárbara (Salta) by Ledesma, Rossana

“…In this paper we analyze the paintings and engravings in the microregions of Santa Barbara and Cafayate (Salta, Argentina). …”
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Identifying Hunter societies in valliserrano rock art by María, de Hoyos

“…Keeping this objective in mind, I’ll develop several lines of research that seek to find, on one hand, non-iconic painted or engraved designs similar to those identified in circumpuneña sequences and, on the other hand, pictures that evoke themes related to the activity of the hunters, of their prey or their traces. …”
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Estudiando pinturas en cerámicas arqueológicas “Aguada Portezuelo” (ca. 600-900 AD) del noroeste argentino : nuevos aportes a través de una aproximación arqueométrica por microespe... by De La Fuente, Guillermo Adrián, Pérez Martínez, Juan Manuel

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Tiempos, cuevas y pinturas. Reflexiones sobre la policronía del arte rupestre de Oyola (provincia de Catamarca, Argentina) by Quesada, Marcos N., Gheco, Lucas

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THE RUPESTRIAN LANDSCAPE OF CERRO COLORADO (CÓRDOBA PROVINCE, ARGENTINA): DETECTING OTHER SENSES, OTHER CORPORALITIES by Tissera, Luis

“…The archaeological analysis of sites with rock art generates different narratives constructed from elements that define them as such, that is painted or engraved firm operating as visual references representations. …”
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“Paredón sur y después”: Pinturas y grabados del sitio Puesto Blanco, Río Mayo, sudoeste de Chubut, Argentina by Castro Esnal, Analia, Gutiérrez, Lucía Alejandra, Casanueva, María Laura, Campos, Mailín Rocío

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Technological study of the “La Paya” ceramic collection from Peter the Great Museum of Anthropology and Ethnography (Kunstkamera, Russia) by Dmitrenko, Liubov

“…The Calchaquí Valley archaeological complex presents numerous Santamariana-Calchaquí ceramics of varied production techniques, shapes, and painted decoration. The most frequent ceramic containers are bowls, so widely spread that they were used for manufacturing complex shapes (burial urns, asymmetric pots, and libation vessels). …”
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Nuevos datos sobre las pinturas rupestres de Los Toldos (Santa Cruz, Argentina): Bases para un enfoque comparativo en Patagonia Meridional by Carden, Natalia Marina, Miotti, Laura Lucia, Blanco, Rocío Vanesa

“…In spite of the high concentration of paintings in Los Toldos, its rock art has not been included as a significant variable in the discussion. …”
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