- PUBLICACIONES PERIODICAS 21
- ANTROPOLOGIA CULTURAL Y SOCIAL 13
- Análisis del discurso narrativo 13
- Narración (retórica) 11
- Investigación educativa 10
- Educación en física 9
- Historia 9
- Literatura 9
- Cine 8
- ARQUEOLOGIA 7
- CRITICA LITERARIA 7
- Cinema 7
- ETNOLOGIA 7
- ANALISIS DEL DISCURSO 6
- Análisis del discurso 6
- Formación de docentes 6
- HISTORIA 6
- Inglés 6
- Literatura estadounidense 6
- Narrativa 6
- Retórica 6
- Ethics 5
- FOLKLORE 5
- Lingüística 5
- Trauma 5
- Ética 5
- ABORIGENES NORTEAMERICANOS 4
- ANTROPOLOGIA 4
- Argentina 4
- Biografía 4
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221
What will you find in this section?
Published 2023“…This section is devoted to the expression of narratives on practices and experiences related to university extension told through various mini-documentaries, cartographies, graphic comics/historicals, photonarratives/photo-essays, among other forms of recording).…”
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222
What will you find in this section?
Published 2024“…This section is devoted to the expression of narratives on practices and experiences related to university extension told through various mini-documentaries, cartographies, graphic comics/historicals, photonarratives/photo-essays, among other forms of recording).…”
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223
¿Qué encontrarás en esta sección?
Published 2020“…This section is devoted to the expression of narratives about practices and experiences linked to university extension told through various mini-documentary productions, cartographies, graphic comics/histories, photonarratives/photoessays, among other forms of recording).…”
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224
THE RUPESTRIAN LANDSCAPE OF CERRO COLORADO (CÓRDOBA PROVINCE, ARGENTINA): DETECTING OTHER SENSES, OTHER CORPORALITIES
Published 2018“…The archaeological analysis of sites with rock art generates different narratives constructed from elements that define them as such, that is painted or engraved firm operating as visual references representations. …”
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225
Parodic metafiction : an approach to self-reflexive fiction in two works by John Barth
Published 2016“…The texts proposed for this study –Perseid and Bellerophoniad, in Chimera (1972) by American author John Barth– share specific rhetorical and narrative elements that allow us to frame this analysis within the theoretical notions referred to before. …”
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American Philosophical Quarterly /
Published 1968Table of Contents: “…A Defense of the Counterfactual Comparative Account of Harm / Justin Klocksiem -- Truth, Lies, and the Narrative Self / Steve Matthews and Jeanette Kennett -- Death's Distinctive Harm Stephan Blatti -- The Right to Lie: Kantian Ethics and the Inquiring Murderer / Richard McCarty -- Measuring and Modeling Truth / Nicholas J. …”
Índices desde 1964 (1). [Consulta: 2021/07/08]
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A NON FINISHED PAST: REFLECTIONS ABOUT OWN DISAPPEARANCE EXPERIENCE AND ITS CURRENT PERSISTENCES
Published 2017“…The persistence of these narratives forms refers, on the one hand, to a temporality of stalk and rupture. …”
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228
Lo narrativo antropológico. Apuntes sobre el rol de lo empírico en la construcción textual
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229
The battle of Chile: image, poetry, memory
Published 2020“…However, it is not the simple reference to the image that this access to a narrative makes possible, but rathera fantastic-fictionnal one, shifted from any « ordinary sense » and which the narrative organizes by the “figuration” which it deploys around anenigmatic void. …”
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230
Placing the histories of archaeology (from Latin America)
Published 2020“…Through an exercise situated in this last region, and with an interest in the geographies of knowledge, we propose a critical analysis of the histories of archaeology, to identify the historical and spatial regimes that underlay most of the narratives about the becoming of the discipline. Also, we evaluate the role of those narratives in the histories of Latin American archaeology and how its relationships with the trajectories of archaeology in other regions are assessed from Latin America. …”
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231
Introduction to the dossier ethnographies of language
Published 2018“…This dossier is the result of the 1st International Conference on Language Ethnography Studies, which in 2015 brought together researchers from different areas and research fields to discuss the multiple aspects of language, especially narrative, treated here from the ethnographic prism. …”
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232
We're for our rights. An extensionist experience among women, neighborhood and anthropology
Published 2020“…Trying to be faithful to the extensionist experience it gathers, the present text is a story that articulates different voices of a process that could not be narrated by a single person. University, social and political militancy, and women's neighborhood experiences are found in our words to be able to narrate - to rethink, discuss and order - what it is and how we build "WE+Others for our rights". …”
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233
Crónica narrativa y etnografía: una perspectiva para pensar la práctica de los cronistas
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234
The eye of the camera and the rhetoric of the image
Published 2018“…The resources of the structural analysis of the narratives lead to propose a model of the narrative formulas of the theme of the struggles. …”
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The thing and the words. Story and emotion in a police museum
Published 2014“…That is to say, by a narrative operation that carries emotional charge. …”
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236
Archaeological objects in regional historical museums from Buenos Aires province
Published 2020“…Our main argument is that pre-Hispanic objects have an active role in constructing narratives about the past, and this active role goes beyond their place in the exhibitions in museums.…”
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237
Archaeology of African slavery on the Uruguayan-Brazilian border: The case of “Estancia de los Correa” (Rocha, Uruguay)
Published 2020“…In addition to poverty and discrimination, these communities have been excluded from the narratives of the nation-building process. However, they have played a fundamental role in the historical development of the national rural productive matrix. …”
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The hypothesis of the hidden painting
Published 2018“…From these pieces of perception, the sequence of images-in-movement is used to organize a narrative, a script that disguises the horror of the gaze, the real behind the continuity. …”
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