- CINE FICCIONAL 147
- CRITICA CINEMATOGRAFICA 136
- PELICULA 124
- CINE ARGENTINO 91
- CINE 79
- FILMOGRAFIA 69
- Cine 65
- HISTORIA DEL CINE 65
- CINE ESTADOUNIDENSE 47
- CINE DOCUMENTAL 37
- DIRECTORES DE CINE 33
- CINE FRANCES 26
- Cinema 24
- PELICULAS 21
- PUBLICACIONES PERIODICAS 21
- Psicoanálisis 21
- LARGOMETRAJES 20
- DOCUMENTALES 19
- CINE ALEMAN 17
- Psychoanalysis 17
- TECNICAS CINEMATOGRAFICAS 17
- BIOGRAFIAS 16
- LITERATURA ARGENTINA 14
- PELICULAS CINEMATOGRAFICAS 14
- Ética 14
- ANALISIS CINEMATOGRAFICO 13
- CINE ITALIANO 13
- CINE MUDO 13
- TEORIA DEL CINE 13
- CINEMATOGRAFIA 12
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1081
Missionary stories. An interdisciplinary experience from Cerro Corá (Misiones, Argentina)
Published 2019“…A methodological proposal consisting of four axes was developed: work with archives, collection of oral narratives, the realization of a documentary film and community workshops in schools.…”
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1082
Argentina 1985, el juicio a las juntas
Published 2022“…Próximamente se estrena el filme “Argentina, 1985”, sobre el juicio a las juntas militares que gobernaron nuestro país durante la última dictadura militar. …”
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1083
La construcción de memorias en La sombra azul Mariano Saravia y Sergio Schmucler
Published 2022Get full text
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1084
Preguntas necesarias. Provocaciones y búsquedas en La Sombra Azul de Sergio Schmucler
Published 2023Get full text
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1085
The Total Art of Eisenstein: The Ideology Behind The old and the New
Published 2023“…Our study analyzes the 1929 film The old and the new, with the aim of exploring how these same tensions could manifest themselves well beyond the apparently opposed interests of art and politics. …”
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1086
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1087
Put the pieces back together. Loss and mourning
Published 2022“…In this article we will try to walk this path, recomposing the pieces in which both characters, as well as the character of the grandmother, are decomposing throughout the film.…”
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1088
Héroes queer en las pantallas contemporáneas: ¿nuevos modelos de masculinidad?
Published 2021Get full text
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1089
Héroes queer en las pantallas contemporáneas : ¿nuevos modelos de masculinidad?
Published 2022Get full text
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1090
The gaze by the camera / Cinema, puberty scenes and juvenile sexual theories
Published 2020“…The article unveils an analytical clinical sequence with Olga, a teenager associating in a session around a scene from the film Freaks by T.Browning. The text articulates the concepts of look at the camera (Vernet) and gaze by the camera (Bonnet) as giving particular account in thecourse of the treatment of the construction of scenes, even adolescent fantasies. …”
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1094
Lo que funciona es un divino detalle
Published 2014“…Sino que, humildemente, puede marchar rengueando, como el protagonista del film. Este artículo presentaelucubraciones, desde el psicoanálisis, sobre las preguntas por el amor, con aquello que es lo que más se conoce del amor: sus escenas.…”
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1095
Odio + Amor en Verona Beach
Published 2014“…La perspectiva de este trabajo, desarrolla una lectura del film a partir del recorte de algunas secuencias y de dos coordenadas: el amor y el odio. …”
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1096
Just the end of the world
Published 2018“…But what agitates Steve and makes Louis silent? Dolan proposes to film these defense mechanisms against the violence of the world today: agitation or death, the cry or the silence, and the camera participates in these demonstrations, the square that Steve finally opens to breathe but which closes, inexorable, and the vagueness that often surrounds Louis’ gaze who will be absent forever. …”
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1097
Cinema in the Vidigal School A philosophy of struggle and resistance in the favela
Published 2021“…The article addresses a reflection steeped in the philosophy of Walter Benjamin and Giorgio Agambem that arises from a daily school practice articulated with the community, the cinema, the film library and the university. The Djalma School of Cinema/CINEAD investigated, with its filmmaking action shared between the teacher and students, the history of the Vidigal favela, Rio de Janeiro. …”
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Archivo Fílmico Pedagógico: Jóvenes y Escuelas
Published 2015“…Por lo tanto, el cine no recubre límites. Sobre el film flotan miles de significaciones sobre la vida, lo humano, el amor, el dolor, acercando experiencias intra, trans e intersubjetivas de inextinguible valor.…”
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