The Lost Daughter or what cinema can teach us of the ominous infantile and the rejection of the feminine in speaking beings by Szrank, Luciana

“…This work is based on the fiction of "The Lost Daughter", an original novel written by Elena Ferrante and adapted for film by director Maggy Gyleenhall. …”
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Secrets of a Soul by Douville, Olivier

“…In what way do the movies carry the traces of the end of the great collective fictions and violence in history? Psychoanalysis, semiotics and motion science could join to treat movies not only as the narrative art, but also as an art which will articulate in its grammar, inflicted wounds to the common imagination and the ability to dream.…”
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What do Jacques Lacan and Jon Draper have in common? by Assef, Jorge Pablo

“…Thus, it is convenient to recognize that the ways in which the topics of current times are represented and fictionalized have also changed. Amongst these new ways of representation, we find TV series in a privileged position. …”
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The ethics of representation in documentary film by Lanza, Pablo

“…Unlike fiction films, documentary refers to reality with the intention of “expressing truth”, which is why filmmakers have an obligation to both viewers (that represented facts are true) and to the subjects / characters. …”
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La salvación de Tarantino by Fernández, Daniela

“…Pulp Fiction (Tiempos Violentos, 1994) nos permite colocar la época actual bajo la lupa. …”
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Editorial. Sobre rarezas, insensateces y otros extravíos by Gómez, Mariana

“…Las películas trabajadas fueron Habemus Papam (Moretti, 2011), Ben X (Balthazar, 2007), Pulp fiction (Tarantino, 1994) y Soul Kitchen (Fatih Akin, 2009). …”
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WRITINGS OF THE SELF IN THE ARGENTINE LITERARY FIELD. INTIMACY, EXTIMACY AND NARRATIVE TRIALS IN WRITERS’ BLOGS by Vigna, Diego Germán

“…On another level, what changes or continuities have marked its appearance regarding conventional formats of print culture, and the production of fiction in emerging generations of authors. The object of analysis is the work of established authors, or in the process of consecration, that began to manage personal spaces and carry out regular maintenance of their sites on the web. …”
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13 Reasons why: Ethical challenges about suicide in a TV Series by Cambra Badii, Irene, Mastandrea, Paula

“…They can be used in a psychotherapeutic framework (as cinematherapy, for example) or as starting points for ethical-clinical analysis of on-screen fictions. The series 13 Reasons Why (Netflix, 2017) has been a success precisely because it shows us the «bullying» phenomenon in a radically different way, introducing the horizon of death, thus raising questions for bioethics and psychoanalysis. …”
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Sublimation and black melancholy: the creation of Yves Saint-Laurent by Jodeau-Belle, Laetitia

“…The design of a dress is a knot between aesthetics, enjoyment and fiction that makes the object rise on the public stage. …”
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Reflections on the Me Too movement and its philosophy by Milner, Jean-Claude

“…As a producer, Weinstein was the architect of great successes, such as Shakespeare in Love (1998), Gangs of New York (2002), Reservoir Dogs (1992), Pulp Fiction (1994), Smoke (1995), The English Patient (1996) -for which he obtained his first Academy Oscar-, Scream (1996),Inglourious Basterds (2009), The King’s Speech (2010), and The Artist (2011), among many others. …”
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Insoportable extrañeza by Parici, Micaela

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Clima ficción : nuevas narrativas en la era del Antropoceno by Mora, Marianela

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