ITC contributions to conceptual change by Temporelli, Walter

“…This idea is based on the concept of a spiral or a dialectic circuit of modifications which would imply changes in the very theories which attempt to change the system. …”
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Between wedges, tablets and scribes: the materiality of the funerary landscapes in Mesopotamia during the Third Dynasty of Ur by Cabrera, Rodrigo

“…The aim of this paper is to analyze the funerary spatiality during the Third Dynasty of Ur (2110-2003 BCE) in Lower Mesopotamia, based on the theoretical postulates of the so-called studies on materiality in Archeology –which propose the overcoming of the subject/object dialectic– and, for that matter, we will also consider the Peircian semiotic perspective, which will allow us to understand how the available sources (clay tablets and burial structures) could be studied from a view that is no longer dichotomous, but triadic. …”
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Análisis de modos tradicionales funerarios en los cementerios de las localidades de Azampay y La Ciénaga, departamento Belén, provincia de Catamarca by Dulout, Luis Noel, Nazar, Carlos

“…In this way the concept of tradition is strongly linked to the concept of identity that is the way in which a group defifi nes itself and it articulates in a dialectic relationship between the group of belonging and the rest of society. …”
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The Cerro Cuevas Pintadas of Guachipas (Salta Province, Argentina): Whose heritage and for whom? by den Dulk, Mariana, Sosa, Victoria Ayelén

“…Cultural heritage is an active and dynamic social construction that recovers, reinterprets, and visibilizes past elements and their connection to collective memory, identity, and a sense of belonging to a territory. From a dialectic social research perspective, archaeological sites managing demands participatory processes that help to understand the historic relations of domination between social actors and their different logics and interests. …”
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Racism or a Modality of Biologicism? A Phenomenon Filled with Relationships by Zeballos, Juan Manuel

“…Secondly, the relationships it comprises are three: the technical one, between the physical dimension and the other human spheres; the hierarchical one, based on differential evaluations (through the dialectic of the norm-ideal/anomaly-degrading categories); and, the instrumentality one, based on the interests that it promotes and conceals. …”
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Landscapes, rights, transdisciplinary (dis)assembly and health promotion between research and extension by Llorens, Santiago, Cotaimich, Valeria

“…This article presents a series of reflections on a transdisciplinary extension project that we have been carrying out jointly with various organizations and institutions in the Alberdi neighborhood of the city of Córdoba (Argentina). These are dialectically centered around notions such as territory, space, (dis)assembly and transdisciplinary health promotion. …”
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Pain in memory: memory, politics and aesthetics in the feature film Hannah Arendt (2012), by Margarethe von Trotta by García Martín, Francisco David

“…Her courage to study the Jewish Holocaust in a straight way, and to try to understand how the death of so many millions of people could be undertake in a mechanical and organized way reflects the capacity of this thinker not only to approach the other, the different, but to try to maintain a memory of the past that serves as a framework of understanding to replace, facing the present, the confrontation between enemies by a dialectic between adversaries. In this paper, we will try to present how Arendt’s work interrelates with her aesthetics, through the analysis of memory and otherness. …”
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Kierkegaard and Woody Allen: Humor as the ethical condition of the existential becoming of the individual by García Pavón, Rafael

“…The existential becoming in Kierkegaard is not derived or reduced to the logic of a dialectic or of natural conditions, but depends essentially on the choice of oneself as the link between what has been and what is to come, which constitutes the ethical. …”
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Frida Kalho: the look of cinema by Scotto Di Vettimo, Delphine

“…It recounts the tumultuous life of the artist since his young student life,his accident and his passionate relationship with the muralist Diego Rivera.Numerous references to Frida Kahlo’s paintings are included in the scenography and recall the richness and complexity of her work: more than onehundred and forty paintings, of which fifty are self-portraits, which come in different themes: politics, Mexicanism, love, nature, suffering, femininity or even death.It is from the analysis of a particular scene [which galvanizes the radicality of the abortion test and offers a framework for the expression of the temporality specific to this event, which I qualify as traumatic] that this article, which stands at the crossroads of cinema and psychoanalysis, explains adecisive stage in the creative process in Frida Kahlo.Here, the examination of the dialectic between creative process and trauma, allows us to grasp, in the nascent state, the implementation of modes ofpictorial creation which sign a new temporality in his pictorial art.Beyond that, the challenge of the biopic is to succeed on the one hand in weaving, modeling, staging and images the life of this extraordinary artist;and on the other hand to allow the spectator to discover the entanglement between the creative subjectivity of the artist and his work.…”
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Una crítica marxista relacional del posthumanismo en arqueología by McGuire, Randall H.

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