Deleuzian Perspective of Cinema as a Means to Believe in The World Again. An Analysis from The Cinematography of Peter Weir by Muñoz Becerra, Felipe Arthur

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The analysis of a film and psychoanalysis by Weyl, Dimitri

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Blade Runner 2049. Year of "miracle" by Roiz Elizondo, Alfonso

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Almodóvar and Trans politician. Footnotes page by De Mauro Rucovsky, Martín

“…To circumscribe these questions, we will say that Bad Education establishes an economy of violence through a economy of desiere in the context of a cinematography registry that re-enroll in the necropolitic representation of Trans bodies.…”
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What does not kill you makes you more barbaric. Conan as a Nietzschean superman by Ortiz Delgado, Francisco Miguel

“…We also compare the film with another two characters of world cinematography (and imagery): Hercules and Mad Max. This comparison is made with the purpose of discern Milius´s efficiency to show the unique qualities of Conan as a nietzschean superman.…”
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Emerging film in Ecuador by Pazmiño Tello, Álvaro, Mora, Marcela

“…Likewise, an audience analysis is performed with the students from the Faculty of Communication, Arts and Humanity of the University Tecnológica Equinoccial, as practical Cinematography course work to deepen the meaning associated to the film from its emergent character. …”
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From Restlessness to the Braid of History. A transmission through three fictions by Amatriain, Lucía, Domínguez, María Elena

“…We propose to read the braiding that is produced with the material from two other film productions: “The Official Story” (Puenzo, 1985) and “The Secret in Their Eyes” (Campanella, 2009), where we also can locate the intersection of the big history with the little stories. The cinematography offers us in its language the possibility of disturbing us, moving us so that we can later build continuity, temporality and a braid where the intervals that had been frozen and that required mobilization to be repaired are located. …”
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