Immortality as freedom. A cinematographic contrast by Rodríguez Lanuza, Luis Fernando

“…Specifically, Tarkovsky’s film Offret/Sacrifice (1986) will be analised and, within it, the emphasis will be placed on the main character: Alexander; the same will be done with von Trier, but with the film The house that Jack built (2018) and the character called Jack. Beyond a mere cinematographic analysis, the article explores the richness or poverty of the inner world of the characters in both films and, albeit implicitly, shows their importance as models for clinical or public discussion on issues such as ethics or violence towards other people, our conceptual reading will mainly draw on the work of the philosopher Sören Kierkegaard and some counterpoints with the political theorist Hannah Arendt.…”
Get full text

The Cinematographic Origin of Colonialism in Haiti: Zombie Target by Brito Alvarado, Xavier, Rodríguez Caguana, Adriana, Jadán, Diego

“…In this way, the essay begins with a bibliographic review of the zombie and its cinematographic representations, a second moment deals with the historical and political location of the zombie in Haiti, and, finally, the analysis of the film "White Zombie" which unravel the complex relationships between whites and blacks within a Haitian colonial context.…”
Get full text

Cinematographic Imaginaries Around the Contempt of the Undocumented. Between Xenophobia and Dehumanization by Ortega Mantecón, Alfonso, Anchondo Pavón, Sandra

Get full text

Testimony of the lost image by López Delacruz, Santiago Martín

Subjects: Get full text

Tamburrini by Caetano: from testimony to horror film by Dillon, Alfredo

Subjects: Get full text

The analysis of a film and psychoanalysis by Weyl, Dimitri

“…From a psychoanalytical point of view, the cinematographic art can be understood – most of the time- either from the logic of applied psychoanalysis or as isomorphic terms. …”
Get full text

Álex de la Iglesia and the scenes of heights: Symbolism of space from the narrative by Jiménez González, Marcos

“…This connotation is rooted in the origins of western culture, in the thought of Plato, Aristotle and the Judeo-Christian tradition which, being very present in thought, also survives in literary and cinematographic narrative.…”
Get full text

The good life of Sebastião Salgado: analysis of the film The Salt of the Earth by González, Juan Manuel

“…Based on Sinnerbrink’s proposal for the ethical approach to cinematographic works and framed by Ricoeur’s ethical aspiration of tending to a good life, the article analyzes the documentary film The Salt of the Earth by directors Wim Wenders and Juliano R. …”
Get full text

A knife at the heart. Gaspar Noé: filmmaker of a contemporary social? The tragedy of a man (alone) in the tragedy of the century by Broda, Vladimir

“…What are the limits of the cinematographic treatment of “morals “ and “justice”? …”
Get full text

Bechdel-Wallace Test Automation by Freitas, José Nahuel, Rosenzvit, Milena, Muller, Stephanie

“…Also, this program allows to analyse large sets of scripts as a function of the cinematographic genre.…”
Get full text

Aporophobia, segregation and descent into hell by Ramón Fernández, Francisca, Prósper Ribes, Josep

“…The separation of social classes is manifested through architectural spaces, cinematographic plans and details, where the rich are always at the top, and the poor are at the bottom. …”
Get full text

Peirce’s secondness in true crime documentaries. Annotations on The Jinx: The Life and Death of Robert Durst by López Delacruz, Santiago Martín

“…By trying to carry out a detailed reconstruction and monitoring of different real events that led to police tragedies, this type of documentaries fosters a close link between cinematographic reproduction and reality that has revitalized contemporary documentary practice from an ethical point of view. …”
Get full text

Crime, sexuality and conurbano in José Celestino Campusano’s by Martinelli, Lucas Sebastián

“…With a methodology that takes up the practices of cinematographic analysis, the tools of art historiography, and the proposals of political philosophy as a background for certain theoretical concerns, these problems are developed from a journey through the notions about genre cinema, some contemporary films that portray the conurbano, and particularly the cinema of José Celestino Campusano.…”
Get full text

Psychoanalysis in Cinema and Theater: The Reverse of the Message Between the Director and the Viewer as the Antithesis of Scientific Discourse by Cabrera Kahuazango, Carlos Alexis

“…The film or theater director finds himself traversed by the discourse of his time and era, added to the works that he has previously digested to build his scripts and particular cinematographic style. Also, it has been disrupted by the influence of its viewers as direct consumers of his work. …”
Get full text

The charm of the forger by Koldobsky, Daniela

“…Despite the confusing yet attractive name of “false documentary” to describe the cinematographic modality with which Orson Welles’s F for Fake (1974) inaugurated an era, his unstoppable recurrence to such distinctive and diverse concepts such as false, falsification, fraud, magic and even truth and lies (both added to the title of the French and Spanish version of the documentary) are not central to this work. …”
Get full text

«Bad faith», «past» and «death». A reading based on Jean-Paul Sartre’s philosophy by Prestía, Martín

“…The cinematographic work of Akira Kurosawa has been analyzed from certain categories of that vast literary and philosophical movement that has been called «existentialism». …”
Get full text