Psychoanalysis in Cinema and Theater: The Reverse of the Message Between the Director and the Viewer as the Antithesis of Scientific Discourse by Cabrera Kahuazango, Carlos Alexis

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God's problem. The Bacchantes and the Bible in Theorem by Van Aken, Amalia

“…From this place In considering the foregoing, the representation will be analyzed of the struggle of social classes in Italy in the late sixties as one of the scenarios for two contending powers: one that is primitive, originative, dignified and close to nature, represented by the working class and peasantry -especially by the character of Emilia-; and the capitalist and bourgeois power, represented by the family as a whole. The antithesis proposed by Pasolini to this fight is the destruction of this family from the presence of a nameless guest, whose origin and destination are unknown; and who, by his configuration, refers to the Greek god Dionysius.…”
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The (im)materiality of the Netherworld and its (re)presentation in ancient Mesopotamia: an interpretation of the iconographic repertoire and documentary sources by Cabrera Pertusatti, Rodrigo

“…The Netherworld was presented as a geographical/topographical space, called kur and/or ki in literary and lexical texts from the second millennium BCE, depending on its horizontal (in the Eastern mountains) and/or vertical (as antithesis of heaven) location for the imaginary of the moment. …”
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Tesis, antítesis y opuestos complementarios en la prensa gráfica argentina. Las formaciones discursivas de La Nación y Página 12 frente a las políticas kirchneristas by Ponza, Pablo Mariano

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