From Horror to Body Transmutation in The Cinema of David Cronenberg by Brito Alvarado, Xavier

“…Cronenberg’s cinema, and perhaps its greatest virtue, is that it allows us to connect a critique to the condition of fragility of the biological body in the face of technoscientific advance, however, it also becomes a battlefield, that stage of the abject, from where binary oppositions are answered, and the vehicle to express all types of metaphorical, allegorical, metaphysical and abstract concepts, which dismantles all Cartesian dualist narrative. …”
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