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Mr. Spectator's London : selected source materials for college research papers /
Published 1959Book -
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Konzept : stadien = Concept : stadia /
Published 2005Table of Contents: “…Stadium construction : 'direction of the masses and their experience of themselves'/ by Volkwin Marg, p. 896-899 -- 'Our stadiums are perceptual mechanisms between spectators and the playing field' : an interview with Herzog de Meuron, p. 900-906 -- The composition of stadiums : between multifunctionality and reduction / by Stefan Nixdorf, p. 916-925 -- RheinEnergieStadion [Rhine Energy Stadium], Cologne : Von Gerkan Marg Partner, p. 926-927 -- Sapporo Dome, Sapporo, Japan : Hiroshi Hara Atelier Phi, p. 928-930 -- Olympic Stadium in Berlin : Von Gerkan Marg Partner [From a racecourse to a 21st-century arena - the history of Berlin's Olympic Stadium, by Wolfgang Schache, p. 934-937 -- Multifunctionality and conservation : the design / by Hubert Nienhoff, p. 938-939 -- Rolling Stones and football matches : the building site during ongoing operations / by Hans-Wolf Zopfy, p. 940-943 -- Form and construction : the load-bearing roof structure / by Knut Goppert, p. 944-949] -- The Allianz Arena in Munich : Herzog de Meuron -- From the Olympic Stadium to the Allianz Arena / by Alfred Durr, p. 952-953 -- The stadium in operation / by Frank Kaltenbach, p. 954-957 -- The geometry of the stadium bowl / by Jay Parrish, p. 958-961 -- The concrete structure of the stadium bowl / by Florian Schenk, p. 962-963 -- The steel construction : the roof structure and vertical facade / by Rudolf Findeiss, p. 964-965 -- Planning, prefabrication and assembly of the pneumatic membrane skin / by Walter Zettlitzer, p. 966-969 -- Blue, white and red : light as variable colour / by Karl-Fritz Roll, p. 970-975 -- The outer enclosure of the Allianz Arena : construction of the ETFE pneumatic skin / by Karsten Moritz, p. 976-980.…”
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La cámara lúcida : nota sobre la fotografía /
Published 1998Table of Contents: “…Operator, Spectrum y Spectator.…”
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Philosophical profiles : essays in a pragmatic mode /
Published 1986Table of Contents: “…-- Negativity : theme and variations -- Heidegger on humanism -- Judging - the actor and the spectator -- Rethinking the social and the political -- John Dewey on democracy : the task before us.…”
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Inside/out : lesbian theories, gay theories /
Published 1991Table of Contents: “…Miller -- 6. Female spectator, lesbian specter: The haunting / Patricia White -- 7. …”
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La cámara lúcida : nota sobre la fotografía /
Published 1995Table of Contents: “…Operator, Spectrum y Spectator. Aquel que es fotografiado. El Spectador : desorden de los gustos. …”
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Dunkerque
Published 2018“…This type of film can have a pedagogical character, but it is more about enjoying an awful spectacle. The spectator witnesses a history of the past but leaves it in a passive position. …”
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THE MANUSCRIPT AS A POINT OF ARRIVAL: THEATRE AND NARRATIVE BEFORE LEONIDAS LAMBORGHINI’S TRENTO
Published 2015“…In the manuscripts of Leonidas Lamborghini's novel, Trento, the comments on the spectator demonstrate the force that acquires the theatrical and narrative dimension in his work, not only in borrowing the dramatic techniques but especially in considering genres and their) edges. …”
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English short stories : selected to show the development of the Short story from the fifteenth to the twentieth century.
Published 1923Table of Contents: “…The Green Knight / Traditional (retold by Ernest Rhys) -- Tom Tit Tot / English Folk Lore -- Apolonius and Silla / Barnaby Rich -- Sir Simon Eyer / Thomas Deloney -- In Defence of his right / Daniel Defoe -- A story of a heir / The "Spectator" Joseph Addison -- The Wedding of Jenny Distaff / Richard Steele -- Le Fevre / Laurence Sterne -- Maria / Laurence Sterne -- The story of Melissa / John Hawkesworth -- The disabled soldier / Oliver Goldsmith -- The tapestried chamber / Sir Walter Scott -- The Haunted Ships / Allan Cunningham -- Savannah-la-mar / Thomas de Quincey -- Levana and our ladies of Sorrow / Thomas de Quincey -- The Freshwater Firsherman / Mary Russell Mitford -- The love quarrel / Agnes Strickland -- Dorathea / Mrs. …”
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Documentary film and genocide. Some ethical problem
Published 2018“…Documentary theorists such as Brian Winston, Carl Plantinga, and Bill Nichols have set out two main axes around ethics and documentary: the duties of the filmmaker towards the spectator –in terms of truth-falsehood– and towards the subjects represented. …”
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The challenges of society through fantasy cinema: the role of the forest
Published 2024“…Through textual analysis, we can describe how a certain organization of indicators leads the spectator to concrete meanings; in this case, the author clearly highlights the importance of forests, offering different perspectives in each of the films. …”
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[Varios IX (títulos encuadernados juntos)] /
Published 1924Table of Contents: “…L'educaziones dell'umanesimo / Maffeo Vegio -- La modernità del Lambruschini / Angelo gambaro -- Gustavo Wyneken e la sua 'Libera scuola' di Wickersdorf / Agusto Guzzo -- Un episodio di vita accademica tra il Lambruschini e il Trezza / Angiolo Gambaro -- La riforma Gentile dinanzi alla Camera dei deputati / Spectator -- Ció che ho voluto fare / Leone Bérard.…”
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Frida Kalho: the look of cinema
Published 2020“…It recounts the tumultuous life of the artist since his young student life,his accident and his passionate relationship with the muralist Diego Rivera.Numerous references to Frida Kahlo’s paintings are included in the scenography and recall the richness and complexity of her work: more than onehundred and forty paintings, of which fifty are self-portraits, which come in different themes: politics, Mexicanism, love, nature, suffering, femininity or even death.It is from the analysis of a particular scene [which galvanizes the radicality of the abortion test and offers a framework for the expression of the temporality specific to this event, which I qualify as traumatic] that this article, which stands at the crossroads of cinema and psychoanalysis, explains adecisive stage in the creative process in Frida Kahlo.Here, the examination of the dialectic between creative process and trauma, allows us to grasp, in the nascent state, the implementation of modes ofpictorial creation which sign a new temporality in his pictorial art.Beyond that, the challenge of the biopic is to succeed on the one hand in weaving, modeling, staging and images the life of this extraordinary artist;and on the other hand to allow the spectator to discover the entanglement between the creative subjectivity of the artist and his work.…”
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