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“…This article focuses on the conceptual and political crossroads of two contemporary writings, Frantz Fanon´s and Gilles Deleuze and Felix Guattari´s, and it reads them in the precise moment they develop a critique of representation as a philosophical and political category. …”
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“…Secondly, it establishes the ways in which his thinking has been resumed by contemporary thinkers who have placed the centrality of communicational techniques of power, such as Maurizio Lazzarato and Byung-Chul Han, and reinterpreted using in both cases Gilles Deleuze's proposals on control societies. In this respect, the focus is on how the concepts of “biopolitics” and “biopower” have been critically retaken as starting points for the construction of notions, such as “noopolitics” and “psychopolitics”, which seek to give account of the forms of power that are exercised no longer on bodies but primarily on the mind or psyche.…”
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“…De allí que pensadores de la talla de Jorge Luis Borges, Gilles Deleuze, Jacques Lacan, Alain Badiou, Slavoj Zizek, Italo Calvino y Giorgio Agamben, entre otros, se hayan ocupado de su potencia de pensamiento.La relación entre ética y cine se remonta a los orígenes mismos del cinematógrafo, el cual nació en 1895, el mismo año que el psicoanálisis, disciplina y arte que se ocupa del sujeto y las bases estructurales de su condición moral. …”
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“…Luego recurrimos a los postulados de Gilles Deleuze, porque con ellos podemos desplazar de otra forma la tradicional antinomia entre ontología e historia. …”
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“…We focus in part of Peter Weir’s filmography, more precisely in the movies Dead Poets Society and The Truman Show, and we will go in search of the mission entrusted by Gilles Deleuze to the cinema, whose objective is to film the connection between the human being and his world and if part of the cinema created in the past decades has responded to the said call. …”
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