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    CINEMATIC SABOTAGES: HITCHCOCK, TARANTINO, AND ALMODÓVAR by Stallings, Gregory Charles

    Published 2015
    “…Some texts such as the films studied in this article explicitly sabotage the models of the world that historically have served to repress us, in such a way that criticism as sabotage joins with the Walter Benjamin’s vision of a new art that would be capable of exploding the aura (the cult values inseparable from fascism) associated with classic art. As a mechanically reproduced art, cinema for Benjamin possessed this explosive potential. …”
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    Authoritarianism and whiteness: contemporary ultra-rights in the West by Orozco, Ricardo

    Published 2023
    “…In the first, the purpose is to lay the foundations of the ongoing discussion on the re-emergence of extreme and ultra-right-wing phenomena in the West, identifying, above all, how the memory of European fascism and National Socialism, typical of the first decades of the twentieth century, makes its appearance in the collective debate to designate characters, movements, and political, historical, and cultural dynamics that are so diverse, heterogeneous, and even divergent from one another. …”
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