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    Relaciones entre las poblaciones del Valle de Hualfín (dpto. de Belén, prov. de Catamarca) y las situadas al sur. Un caso de estudio a partir de una vasija Sanagasta by Iucci, María Emilia; CONICET - Laboratorio de Análisis Cerámico, Facultad de Ciencias Naturales y Museo, UNLP, Wynveldt, Federico; CONICET - Laboratorio de Análisis Cerámico, Facultad de Ciencias Naturales y Museo, UNLP

    Published 2017
    “…In Loma de Ichanga, a late site located in La Ciénaga (Hualfín Valley, Catamarca, Argentina), dated in 420 ± 50 BP (LP1832), a Sanagasta vessel was found, in a context that have been interpreted as planned and ritual abandonment with a fire. …”
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    info:eu-repo/semantics/article
  19. 2159

    ZOOARQUEOLOGÍA Y TAFONOMÍA DEL PERÍODO TARDÍO-INCA EN PEÑAS COLORADAS, ANTOFAGASTA DE LA SIERRA (PUNA DE CATAMARCA, ARGENTINA)/Zooarchaeology and taphonomy of the Late Period-INCA... by Ortiz, Jorge Guillermo, Urquiza, Silvana

    Published 2012
    “…In order to complement the data and reconstruct the taphonomic history of the faunal assemblages, we studied the sedimentary context by physicochemical methods (texture, pH, determination of albumin, P and MO). …”
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    info:eu-repo/semantics/article
  20. 2160

    El uso de motivos indígenas de colecciones del Museo Etnográfico de la UBA en los inicios del Siglo XX: actores, actividades y objetos / THE UTILIZATION OF INDIGENOUS DESIGNS IN TH... by Pegoraro, Andrea

    Published 2017
    “…A su vez, todo esto se combinó con un programa similar impulsado por la Liga Patriótica Argentina, que a través de las Exposiciones de Telares, presentaba todos los años motivos de piezas indígenas, tanto arqueológicas como etnográficas, extraídos de las cerámicas y tejidos de los museos para que fueran aprendidos y reproducidos por tejedoras del interior del país.Palabras claves: Museo Etnográfico; motivos indígenas; textiles; objetos etnográficos; Clemente Onelli; Liga Patriótica Argentina.AbstractThis article focuses on the use of the collections of the Ethnographic Museum during the first decades of the twentieth century, in a context of recovering indigenous “art” representing the Americas and local art, This event was also accompanied by the development of production spaces and tissue exhibitions inspired partly by motifs or designs of objects stored in Argentine museums.While the Museum arranged school visits and groups of university students and artists in order to record indigenous motifs from artistic pieces, schools and workshops of weaving led by Clemente Onelli were created. …”
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    info:eu-repo/semantics/article