Published 2004
Table of Contents:
“…La ilustración británica = The british enlightenment / Luis Fernandez-Galiano, p. 2 -- Un presente con pasado = A present with past -- Ahora y entonces : Gran Bretaña desde 1950 = Now and then : British architecture since 1950 / by Peter Buchanan, p. 4-13 -- Historia de dos ciudades : entre Foster y Adjaye = A tale of two cities: between Foster and Adjaye / Deyan Sudjic, p. 14-19 -- Tecnólogos laureados = Lords of technology -- Norman Foster : Centro Tecnológico McLaren, Woking = McLaren Technology Centre, Woking, p. 22-27 -- Richard Rogers : Escuela infantil Minami-Yamashiro (Japón) = Minami-Yamashiro Primary School, Japan, p. 28-33 -- Nicholas Grimshaw : Fabrica Rolls Royce, Goodwood = Rolls-Royce manufacturing plant, Goodwood, p. 34-39 -- Michael Hopkins : Refectorio de la catedral, Norwich = Cathedral refectory, Norwich, p. 40-43 -- Vanguardias veteranas = Veteran avant-gardes -- Cook Fournier : Kunsthaus, Graz, p. 46-53 -- Future Systems : Almacenes Selfridges, Birmingham = Selfridges Store, Birmingham, p. 54-61 -- William Alsop : Escuela de Bellas Artes, Toronto (Canadá) = College of Art Design, Toronto, p. 62-69 -- Zaha Hadid : Centro de la Ciencia, Wolfsburg (Alemania) = Science Centre, Wolfsburg (Germany), p. 70-77 -- Realistas lacónicos = Laconic realists -- John Pawson : Monasterio, Novy Dvur (Chequia) = Monastery, Novy Dvur (Czech Republic), p. 80-87 -- Tony Fretton : Casa de la Fe, Holton Lee = Faith House, Holton Lee, p. 88-91 -- Caruso St John : Plaza Stortoget, Kalmar (Suecia) = Stortorget Square, Kalmar (Sweden), p. 92-95 -- Sergison Bates : Tres Escuelas, Bedforshire = Three classroom (
Bedfordshire), p. 96-99 -- David Chipperfield : Taller de Antony Gormley, Londres = Antony Gormley Workshop, London, p. 100-103 -- Ian Ritchie : Centro de producción teatral, Plymouth = Theatre Royal Production Centre, Plymouth, p. 104-107 -- William Russell : Casa en Bacon Street, Londres = House on Bacon Street, London, p. 108-111 -- David Adjaye : Centro Idea Store = Idea Store, London, p. 112-117.…”
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