De la De la plaza a la sala by Mercado, Camila

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El bosque serrano en Paravachasca: conocimientos científicos y saberes tradicionales by Robbiati, Federico, Minervini , Mariana, Triquell , Ximena, Nores, María Jimena, Machado, Mercedes

“…Materials such as a community herbarium, photos, images and other artistic productions were elaborated and shared with the community at the Library's Annual Fair and in the community exhibition "Terruños, encuentros en el campo" at the Botanical Museum. …”
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Carta orgánica para las infancias de Colonia Caroya by Cargnelutti, Valeria Beatriz

“…From the Pedagogical Library, different specialists of the area (teachers, historians, communicators and artists) and the Popular University were summoned to jointly elaborate this material for children of the city, with the intention that they learn, from the legislation of the city, its history, the cultures that coexist today, and recognize themselves, mainly, as active citizens and participants of the society where they live, from a perspective of rights and gender.…”
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Deleuzian Perspective of Cinema as a Means to Believe in The World Again. An Analysis from The Cinematography of Peter Weir by Muñoz Becerra, Felipe Arthur

“…The present work seeks to defend cinema as an artistic medium which can help current people to believe in the world again, namely, to reconnect with his own life and existence, rescuing a positive perspective of the reality where the human being can work and develop his life. …”
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The theory of fields from the prism of literature by Jurt, Joseph

“…It presents a synthesis of the analytical issues addressed in the book about the notion of literary field and its relations with the political, scientific and artistic fields, as well as the logic of the field of reception.Traducción de María Victoria López.Instituto de Antropología de Córdoba - IDACOR CONICET, UNC.Correo electrónico: victorialopez84@gmail.com…”
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Of television series, intensities and postmodern fears by Gómez Ponce, Ariel

“…Attentive to the way that the affects colonize the cultural forms, the narrative theory developed by Fredric Jameson contains keys of interest to question how fear, in recent times, emerges as an intensity: a subjective commotion that transcends the possibility of being communicated, but which leaves traces in the artistic materialities. The aim of this work is to reveal to the scope of this category, in light of a set of TV series that make fear and its critical states a place of enunciation. …”
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The Total Art of Eisenstein: The Ideology Behind The old and the New by Viera, Tomás

“…However, these debates occlude the larger problem of how the works produced by artists such as Sergei Eisenstein expressed the ideological tensions of a social system that was struggling to find a fitting balance between democracy and authority, between experimentation and order. …”
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La conciencia crítica: redefiniciones de lo culto y lo popular en Gomorra R. Saviano by Cattoni, Silvia

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WHEN RED BECAME GREY: CUBAN REVOLUTION, INTELLECTUALS AND LITERATURE by Maccioni, Laura

“…These conditions were basically the result of the normative frameworks dictated by the cultural institutions (the Union of Cuban Writers and Artists, the declarations emanating from the Congresses of 1968 and 1971) as well as from the practices of the state officials of these institutions (for example, of their way of understanding which works deserved to be awarded prizes or expelled from the literate city). …”
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Think fear. Myths, art and politics by Barei, Silvia

“…Exemplifying texts from Latin American culture, we try to understand how fear works, why it is exacerbated in certain historical moments, in what mythologies and traditions it is protected, what its policies are and how it is expressed in certain types of artistic texts.…”
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Re-inhabiting the territory with children by Marina, Yazyi

“…These open-air meetings, in the neighborhood square adjacent to the health center, meant to enable the protagonist place of the children, recovering the socio-educational proposals (aesthetic, artistic, literary and playful) that were proposed and sustained uninterruptedly throughout the pandemic, as a way of "being present and being there" beyond the isolation/distance that the context warranted.…”
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CRITICISM AS SABOTAGE AND THE STRATEGIES OF DECONSTRUCTION by Arranz Muñoz, Juan

“…In his latest book, Crítica y Sabotaje, Manuel Asensi presents a new method of criticism of the artistic discourse — «criticism as sabotage». Helped by a distrustful stance towards the work of art, and by the use of his own terminology, this criticism aims either to uncover (and to sabotage) the way in which the discourses try to impose a certain image of the world to the receiver (thus obtaining from him a certain behavior), or to explain the way in which some particular discourses present themselves as ambiguous and controversial (sabotaging its own affirmative nature, as well as the social system to which they belong).            …”
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Weaving a common history. Scenic approaches to extend hands and echoes with the Hotel Viña de Italia, Córdoba, Argentina by Garrido, Jimena Inés, Chervin , Mariela, Tamagnini , María Lucía, Stricker, Lorena Ruth, Smargiassi, Ana Cristina

“…The performance was the result of an extension project of the call for the Management of Artistic and Cultural Activities 2023 of the Secretariat of University Extension, UNC. …”
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The narratives of mothers and dancers in the professional tango dance circuit in Buenos Aires by Verdenelli, Juliana

“…Based on the information collected during an ethnographic fieldwork made between 2013 and 2020 – in which professional dancers who are also mothers were followed–, one concludes that the narratives associated with the figures of the mother and the tango’s milonguita keep on operating in the subjectivities of many artists and generating tensions in different ways – and in diverse grades – in their daily practices. …”
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“My blood and my family”: the subjective construction of a rapper and the individuality in the popular clases of contemporary Buenos Aires by Muñoz Tapia, Sebastián Matías

“…This article aims to analyze the subjective construction of a Buenos Aires rapper, in his artistic work and his daily life. It is claimed that the way he elaborates his public character is related to the native categories of “jugársela” (“take a risk”) and “estar jugado” (“in a bind”), which are connected with the broader currents of individualization associated with the use of social networks, the spirituality of the New Age, psychologization, and the rapper device itself. …”
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The importance of archaeological evidence in the study of ancient Greek theater: the case of ceramic iconography by Reznik, Carolina

“…The theater, as an artistic, historical and cultural phenomenon, has a problematic entity, although it has textual and material manifestations, it is fully performed in the show. …”
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