Published 2019
“…Throughout the text, it will be argued that Castillo’s film functions as a site for the establishing of a double “mise en scène” of the ‘self’; a place where two divergent life trajectories intersect with each other: that of the filmmaker, present as well in the image, and that of the filmed subject, the “symbol of
treason” Marcia Merino. As an instance of a two-fold return to the scene of the trauma, the endeavor of La Flaca Alejandra will finally be understood as an attempt to put into contact, albeit without forcing them to reach a synthesis, two irreconcilable testimonial voices.…”
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