Frida Kalho: the look of cinema by Scotto Di Vettimo, Delphine

“…It recounts the tumultuous life of the artist since his young student life,his accident and his passionate relationship with the muralist Diego Rivera.Numerous references to Frida Kahlo’s paintings are included in the scenography and recall the richness and complexity of her work: more than onehundred and forty paintings, of which fifty are self-portraits, which come in different themes: politics, Mexicanism, love, nature, suffering, femininity or even death.It is from the analysis of a particular scene [which galvanizes the radicality of the abortion test and offers a framework for the expression of the temporality specific to this event, which I qualify as traumatic] that this article, which stands at the crossroads of cinema and psychoanalysis, explains adecisive stage in the creative process in Frida Kahlo.Here, the examination of the dialectic between creative process and trauma, allows us to grasp, in the nascent state, the implementation of modes ofpictorial creation which sign a new temporality in his pictorial art.Beyond that, the challenge of the biopic is to succeed on the one hand in weaving, modeling, staging and images the life of this extraordinary artist;and on the other hand to allow the spectator to discover the entanglement between the creative subjectivity of the artist and his work.…”
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Acting: The mise en abyss in cinema as a resource of the analytical clinic by Michel Fariña, Juan Jorge, Laso, Eduardo

“…This paper presents a dozen scenarios in which this hypothesis is verified, analyzing the value of plays, paintings, musical segments or directly films within films.…”
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The Danish Girl by Ordoñez, Pilar

“…This essay is about a character that had its counterpart in the history of painting, Einar Wegener Morgens. As well as in the history of human rights that protects sexual diversity. …”
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Cinema as a passer of the real by Laso, Eduardo, Michel Fariña, Juan Jorge

“…This articleintroduces this thesis through examples from painting, performance and cinema.…”
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