Suggested Topics within your search.
Suggested Topics within your search.
- Psicoanálisis
- Psychoanalysis 4
- Cine 3
- Cinema 2
- Amor 1
- Bullying 1
- Creative process 1
- Death drive 1
- Derecho a la identidad 1
- Duelo 1
- Films 1
- Hiroshima mon amour 1
- Love 1
- Mourning 1
- Object petit a 1
- Objeto petit a 1
- Proceso crador 1
- Pulsión de muerte 1
- Right to identity 1
- Suicide 1
- Suicidio 1
- Trauma 1
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The Surviving Love of Marguerite Duras
Published 2016“…The writer highlights the experience of not dying of love, showing in detail a path that goes from shadows to light and links reflections on Hiroshima (death) to love (life). The title of this work highlights the surviving love and its content relates Marguerite’s creation, especially that love story, to some of the concepts that we work in psychoanalysis, such as: the “petit a” object, and love and mourning, the latter being a necessary element “not to die of love”.…”
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13 Reasons why: Ethical challenges about suicide in a TV Series
Published 2017“…The series 13 Reasons Why (Netflix, 2017) has been a success precisely because it shows us the «bullying» phenomenon in a radically different way, introducing the horizon of death, thus raising questions for bioethics and psychoanalysis. …”
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Frida Kalho: the look of cinema
Published 2020“…It recounts the tumultuous life of the artist since his young student life,his accident and his passionate relationship with the muralist Diego Rivera.Numerous references to Frida Kahlo’s paintings are included in the scenography and recall the richness and complexity of her work: more than onehundred and forty paintings, of which fifty are self-portraits, which come in different themes: politics, Mexicanism, love, nature, suffering, femininity or even death.It is from the analysis of a particular scene [which galvanizes the radicality of the abortion test and offers a framework for the expression of the temporality specific to this event, which I qualify as traumatic] that this article, which stands at the crossroads of cinema and psychoanalysis, explains adecisive stage in the creative process in Frida Kahlo.Here, the examination of the dialectic between creative process and trauma, allows us to grasp, in the nascent state, the implementation of modes ofpictorial creation which sign a new temporality in his pictorial art.Beyond that, the challenge of the biopic is to succeed on the one hand in weaving, modeling, staging and images the life of this extraordinary artist;and on the other hand to allow the spectator to discover the entanglement between the creative subjectivity of the artist and his work.…”
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