Cinema as a passer of the real by Laso, Eduardo, Michel Fariña, Juan Jorge

“…So that this real ceases to be a mortification made open wound, installed as a vain repetition. In this sense, cinema is a passer from the real to the symbolic through images. …”
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The heresy of each and love as writing, in the face of the pandemic of the One alone by Lijtinstens, Claudia

“…Faced with contemporary loneliness, aggravated by the pandemic events of reality, some possible solutions are exposed by way of heresy as a position of being, but also by way of love as a support for an encounter, in the sense of a bond that enables getting out of autoeroticism and temperingwhat is impossible to bear, based on the English television series The end of The f ... …”
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Psychoanalysis in Cinema and Theater: The Reverse of the Message Between the Director and the Viewer as the Antithesis of Scientific Discourse by Cabrera Kahuazango, Carlos Alexis

“…Also, it has been disrupted by the influence of its viewers as direct consumers of his work. In this sense, the filmmaker recognizes himself not only during the creative process of the film in relation to expressiveness and communication with his actors, even his goal goes beyond the construction of the film, it requires a symbolic setting to share his message and finally be able to fully recognize himself through the criticism of the Other when he projects his long-awaited "final product". …”
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13 Reasons why: Ethical challenges about suicide in a TV Series by Cambra Badii, Irene, Mastandrea, Paula

“…Alejandro Ariel once said that “suicide is something that should not happen”, not in the sense of a moral condemnation but to question its character of inevitability. …”
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The analysis of a film and psychoanalysis by Weyl, Dimitri

“…From an early time, Walter Benjamin noticed that both psychoanalysis and film had opened fields of the senses that, up until then, could not be seen or heard; and that both of these fields, sight and sound combined, could be very powerful. …”
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