Emerge. The traumatic image in Gus Van Sant by Hammerli, Frédérique

“…It is difficult to ignore the recurrence of trauma in the filmmaker’s work, from the very first films to the last. …”
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The battle of Chile: image, poetry, memory by Humphreys, Derek

“…It is from the films in which the South African artist William Kentridge questions the function of the “memorial” in sites, sometimesforgotten, having witnessed the violence of apartheid, that I propose an approach to the mutation of registers that can be seen in the work of thedocumentary filmmaker Patricio Guzman, between the pure inscription of the image in “La batalla de Chile”, up to the poetic montage of “Nostalgiade la luz”. …”
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