The Lost Daughter or what cinema can teach us of the ominous infantile and the rejection of the feminine in speaking beings by Szrank, Luciana

“…This work is based on the fiction of "The Lost Daughter", an original novel written by Elena Ferrante and adapted for film by director Maggy Gyleenhall. From the interpretations that this film presents, a development is made around the concept of the ominous raised by Freud and taken up by Lacan in his teaching, specified in his Seminar on anxiety. …”
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