Álex de la Iglesia and the scenes of heights: Symbolism of space from the narrative by Jiménez González, Marcos

“…This connotation is rooted in the origins of western culture, in the thought of Plato, Aristotle and the Judeo-Christian tradition which, being very present in thought, also survives in literary and cinematographic narrative.…”
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Cinematographic Imaginaries Around the Contempt of the Undocumented. Between Xenophobia and Dehumanization by Ortega Mantecón, Alfonso, Anchondo Pavón, Sandra

“…The article recovers the narrative of the film Undocumented (Peckover, 2010) to study the violence against the migrants on the northern border (Mexico-United States). …”
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Cinema and Law by Rivaya, Benjamín

“…As a narrative art that is focused most of the times on social life, the cinema has not been able to ignore the topic of Law. …”
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Cinema and Culinary Arts: a clinical strategy by González Pla, Florencia

“…Theapproach entails an ethical standpoint since it draws on narrative, myths and folklore in the treatment of these complex issues.…”
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Ethics Noir in LA by Cañas Pelayo, Marcos Rafael

“…The blend of an unreal oneiric world and the classical tragedy results in a riveting experience for the audience, the critics, philosophical studies on film and anyone fascinated by narrative experimentation. A reading of the film considering the previous researches on Lynch´s mysterious work is proposed. …”
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The Cinematographic Origin of Colonialism in Haiti: Zombie Target by Brito Alvarado, Xavier, Rodríguez Caguana, Adriana, Jadán, Diego

“…The premise of this work includes the film White Zombie (1932) and The Legion of Soulless Men; the first film on this theme, in which fantastic narratives are mixed with the politics of the time; and with it, discuss colonialism as a historical discourse that is still valid in societies. …”
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