Film Analysis: a Story of an Encounter and of an ethic by Weyl, Dimitri

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Los deseos concebidos by Radiszcz, Esteban

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Álex de la Iglesia and the scenes of heights: Symbolism of space from the narrative by Jiménez González, Marcos

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PSICOCINE: a space for the promotion of mental health in Camagüey, Cuba by Hernández Figaredo, Pablo

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UNE 153020 standard on audio description review: Should it be Modified After Seventeen Years of Validity? by Font Bisier, Miguel Angel

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Under the lens of black comedy: social critique and subversive acts in Martin McDonagh’s Three Billboards Outside Ebbing, Missouri by Carpio Arias, Antonella, Vásconez Merino, Galo

“…Bajo la lupa de la comedia negra: crítica social y actos subversivos en el filme Three Billboards Outside Ebbing, Missouri…”
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Before Truman... and after by Laso, Eduardo

“…There are two interesting antecedents to the film The Truman Show. One of them is “Special Service”, an episode of the popular series The Twilight Zone. …”
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Tampopo: a filmic-gastronomic analysis by Santana González, José Javier, Molina García, María José, Enrique Mirón, Carmen

“…The objective of this work is to analyze a filmic text to understand the relationships between cinema and culture expressed in gastronomy and food.For this we will analyze from an empirical-analytical perspective the film Tampopo (1985) directed by Juzo Itami and that reflects the different categories in which the so-called gastronomic cinema is divided, as well as the use of examples from other films that can also be understood as gastronomic , in an attempt to understand if this genre really exists or simply the cinema has used gastronomy as a common thread and without a realintention to reflect the culture of a particular place in it´s gastronomic forms.…”
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Multiplication, An Outbreak of The Body : The Relationship Between Cinema and Politics in Foucault’s thought by Colautti, Lautaro

“…Essentially, in his comments on films by directors such as Pier Paolo Pasolini, Marguerite Duras, René Allio, Liliana Cavani, Werner Schroeter, or Louis Malle, among others, the theorist expresses a way of understanding cinema based on its ability to depict bodies in a novel and disruptive manner. …”
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Mourning the Self: Treatment of the Unrepresentable Dimension of the Reality of Death in Cinema by Benhaim, Michèle, Broda, Vladimir

“…Our research called “Melancholy and Mourning” deals with issues related to the representation of self-mourning in the cinema. Indeed, films ofgreat aesthetics deal with the apocalypse and are at the origin of contemporary philosophical issues. …”
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Psychoanalysis in Cinema and Theater: The Reverse of the Message Between the Director and the Viewer as the Antithesis of Scientific Discourse by Cabrera Kahuazango, Carlos Alexis

“…The film or theater director finds himself traversed by the discourse of his time and era, added to the works that he has previously digested to build his scripts and particular cinematographic style. …”
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Bioethics of genetic innovations and artificial intelligence by Bogetti, Celeste

“…This article addresses two films: Never let me go (2010) and Ex-Machina (2015). …”
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Notes on Alain Badiou and the cinema by Laso, Eduardo

“…The writing is organized in twelve sections: 1) cinema is a new art that was born in the 20th century; 2) cinema is a mass art; 3) cinema is an ontological art; 4) the cinema makes time visible; 5) cinema as the most-one of the other arts; 6) cinema is an impure art; 7) each film is a singular real object, which exposes the passage of an idea according to the shot and the montage; 8) the art of cinema as a visitation of an idea; 9) cinema as an ethical setting; 10) the three ways of talking about a film; 11) a film is a point-subject of an artistic configuration; 12) from tragic cinema to cinema as a moving image of eternity. …”
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Cinematographic Imaginaries Around the Contempt of the Undocumented. Between Xenophobia and Dehumanization by Ortega Mantecón, Alfonso, Anchondo Pavón, Sandra

“…The article recovers the narrative of the film Undocumented (Peckover, 2010) to study the violence against the migrants on the northern border (Mexico-United States). …”
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The Truman Show: A Horizon in Bankruptcy by Michel Fariña, Juan Jorge

“…Since the work is out of print, the original text is reproduced here as part of the tribute to the 25th anniversary of the film and to the validity of the ideas it promotes. …”
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The union of psychology and cinema in the construction of characters. Mommy's case by Hernández Carrillo de la Higuera, Cristina

“…The findings show that after the film, there is a great work of documentation at the time of building the characters in a responsable and exhaustive manner.…”
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The Cinematographic Origin of Colonialism in Haiti: Zombie Target by Brito Alvarado, Xavier, Rodríguez Caguana, Adriana, Jadán, Diego

“…The premise of this work includes the film White Zombie (1932) and The Legion of Soulless Men; the first film on this theme, in which fantastic narratives are mixed with the politics of the time; and with it, discuss colonialism as a historical discourse that is still valid in societies. …”
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Representations, meanings and senses when tasting a cup of coffee on the big screen by Díaz Boada, Sandro Alberto, Silva Arias, Catalina

“…In order to inhale the deep aroma of coffee, a mythical feature film by Jim Jarmusch is carefully reviewed, plus an analysis of a short film by David Lynch, and begins with a “top ten” (10) of movie scenes that would not be the same without the Coffee, as a drink and space for social interaction, prepared by prestigious filmmakersof the American scene.…”
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“Dallas Buyers Club” or how to resist segregation drift. by Carrasco, Joaquin

“…In this article, segregation is addressed as one of the phenomena that occur after a pandemic outbreak. By the film Dallas Buyers Club (2013),directed by Jean-Marc Vallée, this issue is explored from the spread of HIV in the US in the 1980s. …”
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Ethics Noir in LA by Cañas Pelayo, Marcos Rafael

“…A reading of the film considering the previous researches on Lynch´s mysterious work is proposed. …”
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