The Cinematographic Origin of Colonialism in Haiti: Zombie Target by Brito Alvarado, Xavier, Rodríguez Caguana, Adriana, Jadán, Diego

“…In this way, the essay begins with a bibliographic review of the zombie and its cinematographic representations, a second moment deals with the historical and political location of the zombie in Haiti, and, finally, the analysis of the film "White Zombie" which unravel the complex relationships between whites and blacks within a Haitian colonial context.…”
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Cinematographic Imaginaries Around the Contempt of the Undocumented. Between Xenophobia and Dehumanization by Ortega Mantecón, Alfonso, Anchondo Pavón, Sandra

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The analysis of a film and psychoanalysis by Weyl, Dimitri

“…From a psychoanalytical point of view, the cinematographic art can be understood – most of the time- either from the logic of applied psychoanalysis or as isomorphic terms. …”
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Álex de la Iglesia and the scenes of heights: Symbolism of space from the narrative by Jiménez González, Marcos

“…This connotation is rooted in the origins of western culture, in the thought of Plato, Aristotle and the Judeo-Christian tradition which, being very present in thought, also survives in literary and cinematographic narrative.…”
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Psychoanalysis in Cinema and Theater: The Reverse of the Message Between the Director and the Viewer as the Antithesis of Scientific Discourse by Cabrera Kahuazango, Carlos Alexis

“…The film or theater director finds himself traversed by the discourse of his time and era, added to the works that he has previously digested to build his scripts and particular cinematographic style. Also, it has been disrupted by the influence of its viewers as direct consumers of his work. …”
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