The use of cinema as a passer of the real in the documentary film “Lemebel” by Reyes Mosqueira, Isabel

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La gran transformación universitaria:: del Manifiesto Liminar cordobés (1918) al proyecto de Ley Ómnibus (2024) by Riquelme, Franco

“…Likewise, I develop and expose issues-problems that in recent  Latin American years have been marking the academic as well as political-social agenda and it is regarding the democratic issue,  governmentality and a political culture pendulum between dialogue and/or the occlusion of the voice dissident politics, all this  adding up to a historical context of strong advance of the right in our societies. …”
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Nobodies? with nobody? Mapuche? by Cecchi, Paula

“…While hegemonic discourses reproduce racism and naturalize historical conditioning, the discourses produced by Mapuche collectives criticize these effects and propose a dissident reading of the racialization processes, through which they question the role of the State and reflect on a shared, silenced, history from which they seek to rebuild their ties as Mapuche people.…”
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Humor in El palacio de la risa: Parody and Social Critique in Argentinean Television in the 1990s by Suárez, Marina, Salas Tonello, Pablo

“…Then, we will examine three dimensions that function as crucial material for the trio's humorous production: the critique of the Argentinean high classes, the tension between dominant and dissident sexualities, and the parodic mentions made about television itself. …”
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“Las tareas que son de mujer, ahora las hago yo también”. Masculinidades y cuidados en tiempos de pandemia by Robles, Claudio, Macrini, Patricia, Robledo, Sandra

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