“…It is from the films in which the South African artist William Kentridge questions the function of the “memorial” in sites, sometimesforgotten, having witnessed the violence of apartheid, that I propose an approach to the mutation of registers that can be seen in the work of thedocumentary filmmaker Patricio Guzman, between the pure inscription of the image in “La batalla de Chile”, up to the poetic montage of “Nostalgiade la luz”. …”
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“…The findings of this study reveal that South Africa's primary motive was to safeguard its national interests, the main of which was to preserve the Apartheid regime. As a result, South Africa resorted to direct and indirect military aggressions, leading to political and economic instability, in order to keep Mozambique in a dependent position, as a source of low-cost labour for mining companies. …”
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